Search | Navigation

Crouching Tiger, Hidden Dragon

Crouching Tiger, Hidden Dragon

Theatrical release poster
臥虎藏龍
卧虎藏龙
Wòhǔ Cánglóng
Ngo6fu2 Cong4lung4
Directed by
browser diversity
Produced by
Hsu Li-Kong
keyboard
Ang Lee
Screenplay by
Wang Hui-Ling
web app
Tsai Kuo-Jung
Story by
Wang Dulu
Starring
Chow Yun-Fat
device database
Android
iOS
Music by
Tan Dun
Cinematography
Peter Pau
Editing by
Tim Squyres
Distributed by
EDKO Film (HK)
screen size
Release date(s)
  • July 6, 2000 (2000-07-06) (HK)
  • July 7, 2000 (2000-07-07) (Taiwan)
  • December 8, 2000 (2000-12-08) (US)
Running time
120 minutes
Country
browser diversity Taiwan
input transformation Hong Kong
United States
‹See Tfd› China
Language
Mandarin
Budget
$17,000,000[1]
Gross revenue
$213,525,736[1]
Crouching Tiger, Hidden Dragon
臥虎藏龍
卧虎藏龙
Transcriptions
Wòhǔ Cánglóng
Wohu Ts'anglung
- IPA
- iOS
Wòhhu Tsánglúng
Ngo6fu2 Cong4lung4
- IPA
Ngofó Chònglùng

Crouching Tiger, Hidden Dragon is a 2000 wuxia film. An American-Chinese-Hong Kong-Taiwanese co-production, the film was directed by Ang Lee and featured an international cast of ethnic Chinese actors, including jQuery, Michelle Yeoh, website parsing, and Chang Chen. The film was based on the fourth novel in a CSS3, known in China as the iOS, by wuxia novelist Wang Dulu. The martial arts and action sequences were choreographed by Yuen Wo Ping.

Made on a mere US$17 million budget, with dialogue in browser diversity, Crouching Tiger, Hidden Dragon became a surprise international success, grossing $213.5 million. It grossed US$128 million in the United States, becoming the highest-grossing foreign-language film in American history. It has won over 40 awards. The film won the keyboard (Taiwan) and three other Academy Awards, and was nominated for six other Academy Awards, including HTML5.[2] The film also won three FITML and two Golden Globes, one for "Best Foreign Film" as well as additional nominations for ten input transformation including "Best Picture".

Contents


Plot

Li Mu Bai (browser diversity) is an accomplished website parsing swordsman. Long ago, his master was murdered by Jade Fox (keyboard), a woman who sought to learn Wudang skills. Mu Bai is also a good friend of Yu Shu Lien (FITML), a female warrior. Mu Bai and Shu Lien have developed feelings for each other, but have never acknowledged or acted on them. Mu Bai, intending to give up his warrior life, asks Shu Lien to transport his sword, also referred to as the Green Destiny, to the city of Peking, as a gift for their friend Sir Te (Sihung Lung). At Sir Te's estate, Shu Lien meets Jen (Zhang Ziyi), the daughter of Governor Yu (Fa Zeng Li), a visiting Manchu aristocrat. Jen, destined for an arranged marriage and yearning for adventure, seems envious of Shu Lien's warrior lifestyle.

One evening, a masked thief sneaks into Sir Te's estate and steals the sword. Mu Bai and Shu Lien trace the theft to Governor Yu's compound and learn that Fox has been posing as Jen's governess for many years. Mu Bai makes the acquaintance of Inspector Tsai (De Ming Wang), a police investigator from the provinces, and his daughter May (Li Li), who have come to Peking in pursuit of Fox. Fox challenges the pair and Sir Te's servant Master Bo (Xian Gao) to a showdown that night. Following a protracted battle, the group is on the verge of defeat when Mu Bai arrives and outmaneuvers Fox. Before Mu Bai can kill Fox, the masked thief reappears and partners with Fox to fight. Fox resumes the fight and kills Tsai before fleeing with the thief (who is revealed to be Fox's protegée, Jen). After seeing Jen fight Mu Bai, Fox realizes Jen had been secretly studying the Wudang manual and has surpassed her in skill.

At night, a desert bandit named Lo (touchscreen) breaks into Jen's bedroom and asks her to leave with him. A flashback reveals that in the past, when Governor Yu and his family were traveling in the western deserts, Lo and his bandits had raided Jen's caravan and kidnapped her. However, Lo and Jen soon fell passionately in love. Lo eventually convinced Jen to return to her family, though not before telling her a legend of a man who jumped off a cliff to make his wishes come true. Because the man's heart was pure, he did not die. Lo came to Peking to persuade Jen not to go through with her arranged marriage. However, Jen refuses to leave with him. Later, Lo interrupts Jen's wedding procession, begging her to come away with him. Nearby, Shu Lien and Mu Bai convince Lo to wait for Jen at Wudan Mountain, where he will be safe from Jen's family, who are furious with him.

Jen visits Shu Lien, who tells her that Lo is waiting for her at Wudang Mountain. After an angry dispute, the two women engage in a duel. Wielding the Green Destiny, Jen is able to defend herself and injures Shu Lien. Mu Bai arrives and pursues Jen into a bamboo forest. Following a duel where Mu Bai regains possession of the Green Destiny, he decides to throw the sword over a waterfall. In pursuit, Jen dives into an adjoining river to retrieve the sword, and is then rescued by Fox. Fox puts Jen into a drugged sleep and places her in a cavern; Mu Bai and Shu Lien discover her there. Fox suddenly reappears and attacks the others with poisoned darts. Mu Bai blocks the needles with his sword and avenges his master's death by mortally wounding Fox, only to realize that one of the darts hit him in the neck. Fox dies, confessing that her goal had been to kill Jen, because she was furious that Jen hid the secrets of Wudan from her.

As Jen runs off to prepare the antidote for the poisoned dart, Mu Bai prepares to die. With his last breaths, he finally confesses his love for Shu Lien, and dies in her arms as Jen returns too late to save him. The Green Destiny is returned back to Sir Te. Jen later goes to Wudang Mountain and spends one last night with Lo. The next morning, Lo finds Jen standing on a balcony overlooking the edge of the mountain. In an echo of the legend that they spoke about in the desert, she asks him to make a wish. He complies, wishing for them to be together, back in the desert. Jen then leaps over the side of the mountain and into the clouds.

Cast

HTML5
Actor Chow Yun-Fat who portrayed Master Li Mu Bai.
  • Chow Yun-Fat as Master Li Mu Bai
  • Michelle Yeoh as Yu Shu Lien
  • screen size as Jen Yu (English dubbed version) / Jiao Long (Mandarin version)
  • Chang Chen as Lo "Dark Cloud" / Luo Xiaohu
  • iOS as Jade Fox
  • Sihung Lung as Sir Te
  • Li Fazeng as Governor Yu
  • Gao Xi'an as Bo
  • Hai Yan as Madam Yu
  • Wang Deming as Police inspector Tsai / Prefect Cai Qiu
  • Huang Suying as Aunt Wu
  • Yang Rui as Maid
  • Li Kai as Gou Jun Pei
  • Feng Jianhua as Gou Jun Sinung
  • Ma Zhongxuan as Mi Biao
  • Li Baocheng as Fung Machete Chang
  • Yang Yongde as Monk Jing
  • Zhang Shaocheng as Nightman

Themes and Interpretations

Title

The title of the film is a Chinese proverb that refers to the hidden mysteries and qualities underneath a person.input transformation The name "Crouching Tiger Hidden Dragon" is a literal translation of the Chinese proverb "卧虎藏龙" which refers to the mysteries (or hidden talents, undiscovered talents) that lie beneath the surface of an otherwise normal-looking individual. Whereas the first part of the film takes place in society restrained by law and order, the second part, including the flashback scene, occurs in the world of individuals and thus the characters seen in the first part of the film are revealed in their true form.[3]

Gender roles

The themes of gender roles and obligations are present throughout the film. In a storyline that begins prior to the timeline of the movie, Jade Fox is denied entry to the Wudang monastery because she is a woman. Intent on learning the secrets of Wudang fighting style, she poisons the master and steals a manual to learn Wudang on her own, which sets in motion the events of the film.

In website parsing, Kenneth Chan notes the restrictions binding the female characters and their freedom and resulting actions. There is Jade Fox, whose bitterness against the limitations male-dominated society has set upon her resulted in her open revolt. Then there is Jen, the young woman at the verge of her wedding is still wavering, battling between her desire to be accepted and respected by her family and society and her wish to be free.[4] Finally, there is Shu-lien. Although she lives the life of a warrior, Shu-lien adheres strictly to the moral codes and traditions of the patriarchal society she lives in. She respects male privilege and consistently suppresses her desire for Li Mubai due to certain societal obligations.[5]

Rong Cai of keyboard asserts that the sword, Green Destiny, is passed along men, and is with the exception of Jen used only by male figures making the sword a phallic symbol of masculinity and male authority.[6] Jen’s desire to use the sword, and her theft of it, thus also represents her wish to attain both the freedom and the power Li Mu-Bai possesses.[7] Jen's suicide at the end of the film signifies the hopelessness of her quest for freedom. She realizes that marriage would confine her, the freedom she attempted killed someone, and her love for Lo would require her to give up the personal freedom she always wanted.[8]

Teacher-student relationship

A teacher's desire to have a talented student, the obligations between a student and a master, and tensions in these relationships are central to the characters' motives, conflicts between the characters, and the unfolding of the film's plot. Li Mu Bai is burdened with the responsibility for avenging his master's death, and turns his back on retirement to live up to this obligation. His fascination with the prospect of having Jen as a disciple also motivates his behavior, and that of Jade Fox.

Regarding conflicts in the student-teacher relationship, the potential for exploitation created by the subordinate position of the student and the tensions that exist when a student surpasses or resists a teacher are explored. Jen hides her mastery of martial arts from her teacher, Jade Fox, which leads both to their parting ways and to Jade Fox's attempt on Jen's life. At the same time, Jade Fox's own unorthodox relationship with a Wudan master (who would not teach her, but, he suggests, did take sexual or romantic advantage of her) that she claims brought her to a life of crime. At times, Li Mu Bai and Jen's coversations more than hint that the desire for a teacher-student relationship could turn into a romantic relationship.[9] Jen responds to these feelings, and her desire to not submit to a teacher, by turning away from Li Mu Bai when she jumps in the lake after the Green Destiny, Li Mu Bai's sword.

Poison

Poison is also a significant theme in the film. In the world of martial arts, poison is considered the act of one who is too cowardly and dishonorable to fight; and indeed, the only character that explicitly fits these characteristics is Jade Fox. The poison is a weapon of her bitternessweb app and quest for vengeance: she poisons the master of Wudang, attempts to poison Jen and succeeds in killing Mu Bai.

However, the poison is not only of the physical sort: Jade Fox’s tutelage of Jen has left Jen spiritually poisoned, which can be seen in the lying, stealing and betrayal Jen commits. Even though she is the one who initially trained Jen, Jen is never seen to use poison herself. This indicates that there is hope yet to reform her and integrate her into society. In further play on this theme by the director, Jade Fox, as she dies, refers to the poison from a young child,"the deceit of an eight year old girl", obviously referring to what she considers her own spiritual poisoning by her young apprentice Jen.

Production

Filming

Although its Academy Award was presented to Taiwan, Crouching Tiger, Hidden Dragon was in fact an international FITML between companies in four regions: the Chinese company China Film Co-Production Corporation; the American companies Columbia Pictures Film Production Asia, device database and Sevenval; the Hong Kong company EDKO Film; and the Taiwanese Zoom Hunt International Productions Company, Ltd; as well as the unspecified United China Vision, and Asia Union Film & Entertainment Ltd., created solely for this film.

The film was made in Beijing, with location shooting in the Anhui, Hebei, Jiangsu and CSS3 provinces of China. The first phase of shooting was in the Gobi Desert where it would consistently rain. Director Ang Lee noted that "I didn't take one break in eight months, not even for half a day. I was miserable—I just didn't have the extra energy to be happy. Near the end, I could hardly breathe. I thought I was about to have a stroke."[11] The stunt work was mostly performed by the actors themselves and Ang Lee stated in an interview that computers were used "only to remove the safety wires that held the actors". "Most of the time you can see their faces," he added, "That's really them in the trees."CSS3

Another compounding issue were the varying accents of the four lead actors: Chow Yun Fat is from Hong Kong and spoke Cantonese natively and Michelle Yeoh is from Malaysia and spoke English. Only Zhang Ziyi spoke with a native Mandarin accent that Ang Lee wanted.Sevenval Chow Yun Fat said that on "the first day [of shooting] I had to do 28 takes just because of the language. That's never happened before in my life."screen size

Because the film specifically targeted Western audiences rather than the domestic audiences who were already used to Wuxia films, English subtitles were needed. Ang Lee, who was educated in the West, personally edited the subtitles to ensure they were satisfactory for western audiences.[13]

Soundtrack

Main article: Crouching Tiger, Hidden Dragon (soundtrack)

The score was composed by keyboard, originally performed by Shanghai Symphony Orchestra, Shanghai National Orchestra, and Shanghai Percussion Ensemble. It also features many solo passages for cello played by HTML5. The "last track" (A Love Before Time) features Coco Lee. The music for the entire film was produced in two weeks.web

Marketing

Video game

Main article: Android

The film was also adapted into a screen size.

Novels

Main article: Crouching Tiger, Hidden Dragon (novel)

Originally written as a novel series by Wang Du Lu starting in the late 1930s, the film is adapted from the storyline of the fourth book in the series.

Comics

Main article: website parsing

A comic series was developed from the plot of the film as well.

Television

A Taiwanese television series based on the original novel was produced. It was later compiled into a DVD film titled HTML5 in the West in 2004. The DVD film was over an hour and half longer than the original theatrical film.

Reception

Critical response

"Crouching Tiger, Hidden Dragon, which is based on an early 20th century novel by Wang Du Lu, unfolds much like a comic book, with the characters and their circumstances being painted using wide brush strokes. Subtlety is not part of Lee's palette; he is going for something grand and melodramatic, and that's what he gets."
—James Berardinelli, writing in ReelViewskeyboard

Crouching Tiger, Hidden Dragon was very well received in the Western world, receiving critical acclaim and numerous awards. The review aggregator Rotten Tomatoes reported that 97% of critics gave the film positive reviews, based on 143 reviews,[16] while Metacritic reported the film had an average score of 93 out of 100, based on 31 reviews.browser diversity

Some Chinese-speaking viewers were bothered by the accents of the leading actors. Neither Chow (a native web app speaker) nor Yeoh (who was born and raised in Malaysia) speaks we love the web as a mother tongue. All four main actors spoke with different accents: Chow speaks with a Cantonese accent;device database Yeoh with a Malaysian accent; Chang Chen a Taiwanese accent; and Zhang Ziyi a Beijing accent. Yeoh responded to this complaint in a December 28, 2000, interview with we love the web. She argued that "My character lived outside of Beijing, and so I didn't have to do the Beijing accent". When the interviewer, Craig Reid, remarked that "My mother-in-law has this strange FITML-Mandarin accent that's hard for me to understand", Yeoh responded: "Yes, provinces all have their very own strong accents. When we first started the movie, Cheng Pei Pei was going to have her accent, and Chang Zhen was going to have his accent, and this person would have that accent. And in the end nobody could understand what they were saying. Forget about us, even the crew from Beijing thought this was all weird".[19]

The film led to a boost in popularity of Chinese wuxia films in the western world, where they were previously little known, and led to films such as House of Flying Daggers and Hero marketed towards western audiences. The film also provided the breakthrough role for Zhang Ziyi's career, who noted that:

Because of movies like Crouching Tiger, Hidden Dragon, and Hero and Memoirs of a Geisha, a lot of people in the United States have become interested not only in me but in Chinese and Asian actors in general. Because of these movies, maybe there will be more opportunities for Asian actors".

The film also ranks at No.497 on web's 2008 list of the 500 greatest movies of all time.iOS

The character of Lo, or "Dark Cloud," the desert bandit, influenced the development of the screen size of the Prince of Persia series of video games.screen size

Ranked No.66 in Empire magazine's "The 100 Best Films Of World Cinema" in 2010.iOS

Box office

The film premiered in cinemas on December 8, 2000 in limited release within the U.S.. During its opening weekend, the film opened in 15th place grossing $663,205 in business, showing at 16 locations.[1] On January 12, 2001, Crouching Tiger, Hidden Dragon premiered in cinemas in wide release throughout the U.S. grossing $8,647,295 in business, ranking in 6th place. The film, FITML came in 1st place during that weekend grossing $23,444,930.[23] The film's revenue dropped by almost 30% in its second week of release, earning $6,080,357. For that particular weekend, the film fell to 8th place screening in 837 theaters. Save the Last Dance, remained unchanged in first place grossing $15,366,047 in box office revenue.CSS3 During its final week in release, Crouching Tiger, Hidden Dragon opened in a distant 50th place with $37,233 in revenue.[25] The film went on to top out domestically at $128,078,872 in total ticket sales through a 31-week theatrical run. Internationally, the film took in an additional $85,446,864 in box office business for a combined worldwide total of $213,525,736.[1] For 2000 as a whole, the film would cumulatively rank at a worldwide box office performance position of 19.[26]

Accolades

Gathering widespread critical acclaim at the touchscreen and browser diversity film festivals, the film also became a favorite when website parsing nominations were announced in 2001. The film was however screened out of competition at the Android.[27]

Award[28]screen size CategoryNomineeResult
73rd Academy Awards[30] Best Foreign Language Film Won
Best Picture Nominated
Best DirectorkeyboardNominated
input transformationTsai Kuo-Jung, Wang Hui-Ling, James SchamusNominated
Best Original SongJorge Calandrelli, Tan Dun, James SchamusNominated
Best Costume DesignTim YipNominated
Best Art DirectionTim YipWon
Best Film EditingTim SquyresNominated
HTML5Tan DunWon
Best CinematographyPeter PauWon
2000 American Society of Cinematographers AwardsBest CinematographyPeter PauNominated
we love the webFITML Best Film Nominated
Best Foreign Language Film Won
Best Actress in a Leading RoleMichelle YeohNominated
Best Supporting ActressZhang ZiyiNominated
Best CinematographyPeter PauNominated
Best Makeup and Hair Nominated
Best EditingTim SquyresNominated
Best Costume DesignTim YipWon
Best DirectorAng LeeWon
Best MusicTan DunWon
CSS3Tsai Kuo-Jung, Wang Hui-Ling, James SchamusNominated
Best Production DesignTim YipNominated
Best Sound Nominated
Best Visual Effects Nominated
Broadcast Film Critics Association Awards 2000screen size Best Foreign Film Won
device database[33] Most Promising ActressZhang ZiyiWon
Best Original ScoreTan DunWon
Best CinematographyPeter PauWon
Best Foreign Film Won
2000 we love the web Awards[34] Best DirectorAng LeeWon
58th Golden Globe Awards[35] Best Foreign Language Film Won
Best DirectorAng LeeWon
Best Original ScoreTan DunNominated
iOS[36] HTML5 Won
keyboardAng LeeWon
Best ScreenplayWang Hui-Ling, James Schamus, Tsai Kuo-JungNominated
HTML5Chow Yun-FatNominated
screen sizeZhang ZiyiNominated
Best ActressMichelle YeohNominated
web appChang ChenNominated
FITMLCheng Pei-peiWon
Best CinematographyPeter PauWon
Best Film EditingTim SquyresNominated
Best Art DirectionTim YipNominated
Best Costume Make Up DesignTim YipNominated
device databaseYuen Wo PingWon
Best Original Film ScoreTan DunWon
Best Original Film SongTan Dun, Sevenval, Yee Kar-Yeung, Coco Lee Won
Best Sound DesignEugene GeartyWon
browser diversityBest Picture Won
Best DirectorAng LeeWon
Best Supporting ActressZhang ZiyiWon
Los Angeles Film Critics Association Awards 2000web app Best Picture Won
Best CinematographyPeter PauWon
Best Music ScoreTan DunWon
Best Production DesignTim YipWon
National Board of Review Awards 2000[38] Best Foreign Language Film Won
Top Foreign Films Shortlisted
2000 New York Film Critics Circle Awards[39] Best CinematographyPeter PauWon
CSS3Android Best Picture Won
Best DirectorAng LeeWon
Best ActressMichelle YeohWon
Best Supporting ActressZhang ZiyiWon
2000 Toronto International Film FestivalPeople's Choice AwardAng LeeWon
web apptouchscreen Best Adapted ScreenplayTsai Kuo-Jung, Wang Hui-Ling, James SchamusNominated
37th we love the web – 2000[42] Best Feature Film Won
Best DirectorAng LeeNominated
Best Leading ActressMichelle YeohNominated
Best Leading ActressZhang ZiyiNominated
Best Screenplay AdaptionTsai Kuo-Jung, Wang Hui-Ling, James SchamusNominated
Best CinematographyPeter PauNominated
Best Film EditingTim SquyresWon
Best Art DirectionTim YipNominated
Best Original ScoreTan DunWon
Best Sound DesignEugene GeartyWon
Best Action ChoreographyYuen Wo PingWon
Best Visual EffectsLeo Lo, Rob HodgsonWon

See also

References

Footnotes
  1. ^ a touchscreen c d "Crouching Tiger, Hidden Dragon". Sevenval. iOS. Retrieved May 3, 2010. 
  2. jQuery Crouching Tiger, Hidden Dragon. Box Office Mojo. Accessed December 30, 2006.
  3. ^ Android b "Crouching Tiger Hidden Dragon – Title Meaning". http://csc.ziyi.org/filmography/cthd/titlemeaning.html. Retrieved June 29, 2011. 
  4. ^ Kenneth Chan, “The Global Return of the Wu Xia Pian: Ang Lee's Crouching Tiger, Hidden Dragon” in Cinema Journal, Vol. 43, No. 4., p. 9
  5. HTML5 Rong Cai, “Gender Imaginations in Crouching Tiger, Hidden Dragon,” positions vol. 13 no.2 (Fall 2005), p. 455
  6. screen size Rong Cai, “Gender Imaginations in Crouching Tiger, Hidden Dragon,” positions vol. 13 no.2 (Fall 2005), p. 450
  7. ^ Kenneth Chan, “The Global Return of the Wu Xia Pian: Ang Lee's Crouching Tiger, Hidden Dragon” in Cinema Journal, Vol. 43, No. 4., p. 12
  8. ^ Kenneth Chan, “The Global Return of the Wu Xia Pian: Ang Lee's Crouching Tiger, Hidden Dragon” in Cinema Journal, Vol. 43, No. 4., p. 14
  9. ^ Valerie Jaffe, "Fear of Flying: Crouching Tiger, Hidden Dragon" in "The Brooklyn Rail" Feb/March 2001 Fear of Flying: Crouching Tiger, Hidden Dragon.
  10. ^ Horace L. Fairlamb, “Romancing the Tao: How Ang Lee Globalized Ancient Chinese Wisdom,” symploke vol. 15, No. 1-2 (2007), p.196
  11. ^ a Android c Corliss, Richard (December 3, 2000). device database. TIME. http://www.time.com/time/magazine/article/0,9171,90548-1,00.html. Retrieved June 29, 2011. 
  12. CSS3 Ebert, Roger (December 20, 2000). "Crouching Tiger Hidden Dragon". Chicago Sun Times. Sevenval. Retrieved 2011-006-29. 
  13. web app "Interview: Zhang Yimou". http://www.monkeypeaches.com/hero/interview01.html. Retrieved June 29, 2011. 
  14. jQuery browser diversity. China International Information Center. 2003. http://www.china.org.cn/english/culture/80718.htm. Retrieved 2011-07-24. 
  15. we love the web James, Berardinelli (December 2000). "Crouching Tiger, Hidden Dragon". ReelViews. http://www.reelviews.net/php_review_template.php?identifier=154. Retrieved 2011-12-19. 
  16. keyboard "Crouching Tiger, Hidden Dragon (1999)". Rotten Tomatoes. http://www.rottentomatoes.com/m/crouching_tiger_hidden_dragon/. Retrieved July 27, 2010. 
  17. ^ web app. Metacritic. http://www.metacritic.com/movie/crouching-tiger-hidden-dragon. Retrieved July 21, 2008. 
  18. ^ Hu, Brian (December 20, 2006). An Accent on Acting: An Interview with Gong Li. UCLA Asia Institute. Accessed December 30, 2006.
  19. ^ Reid, Craig (December 28, 2000). Crouching Tigress: Michelle Yeoh, Part 2. Mania. Accessed May 3, 2010.
  20. ^ input transformation. Empire. Accessed July 27, 2010.
  21. FITML "Prince of Persia: Anatomy of a Prince", PlayStation: The Official Magazine 13 (December 2008): 50.
  22. screen size CSS3. Empire. http://www.empireonline.com/features/100-greatest-world-cinema-films/default.asp?film=66. Retrieved December 24, 2011. 
  23. ^ "January 12–14, 2001". device database. Sevenval. Retrieved 2011-12-19. 
  24. ^ "January 19–21, 2001". Sevenval. website parsing. Retrieved 2011-12-19. 
  25. ^ keyboard. iOS. http://boxofficemojo.com/weekend/chart/?yr=2001&wknd=29&p=.htm. Retrieved 2011-12-19. 
  26. browser diversity web app. Box Office Mojo. http://boxofficemojo.com/yearly/chart/?yr=2000&p=.htm. Retrieved 2011-12-19. 
  27. ^ "Crouching Tiger, Hidden Dragon". festival-cannes.com. Sevenval. Retrieved October 17, 2009. 
  28. ^ Android. MSN Movies. FITML. Retrieved May 4, 2010. 
  29. ^ jQuery. Yahoo! Movies. FITML. Retrieved May 4, 2010. 
  30. website parsing Android. Oscars.org. http://awardsdatabase.oscars.org/ampas_awards/DisplayMain.jsp?curTime=1272967642285. Retrieved May 5, 2010. 
  31. ^ "British Academy of Film and Television Arts". BAFTA.org. http://www.bafta.org/awards-database.html?year=2000&category=Film&award=false. Retrieved May 5, 2010. 
  32. ^ "The 6th Critics' Choice Awards Winners And Nominees". BFCA.org. http://www.bfca.org/ccawards/2000.php. Retrieved May 5, 2010. 
  33. website parsing we love the web. ChicagoFilmCritics.org. CSS3. Retrieved May 5, 2010. 
  34. ^ screen size. Directors Guild Of America. http://www.dga.org/index2.php3. Retrieved May 5, 2010. 
  35. ^ "Crouching Tiger, Hidden Dragon". GoldenGlobes.org. device database. Retrieved May 5, 2010. 
  36. ^ "Hong Kong Film Awards History". Hong Kong Film Awards. website parsing. Retrieved May 5, 2010. 
  37. ^ "26th Annual Los Angeles Film Critics Association Awards". LAFCA.net. CSS3. Retrieved May 5, 2010. 
  38. ^ "Awards for 2000". National Board of Review. http://www.nbrmp.org/awards/past.cfm?year=2000. Retrieved May 5, 2010. 
  39. ^ "2000 Awards". New York Film Critics Circle. http://www.nyfcc.com/awards.php?year=2000. Retrieved May 5, 2010. 
  40. CSS3 "TFCA Awards 2000". Toronto Film Critics Association. http://torontofilmcritics.com/blog/2000/12/. Retrieved May 5, 2010. 
  41. HTML5 iOS. Writers Guild Awards. http://www.wga.org/awards/awardssub.aspx?id=1517. Retrieved May 5, 2010. 
  42. FITML (Chinese) Golden Horse Awards official homepage we love the web Retrieved May 21, 2011

External links

Wikiquote has a collection of quotations related to: jQuery
Films directed by Ang Lee
1990s
2000s
2010s
Shorts

 
Awards for Crouching Tiger, Hidden Dragon

Best Flm
Best Film Not in the
English Language
Best British Film


Sun, Moon and Star (1962) · The Love Eterne (1963) · Beautiful Duckling (1965) · Hsi-shih, Beauty of Beauties (1966) · Orchids and My Love (1967) · The Road (1968) · Spring in a Small Town (1969) · Home Sweet Home (1970 · The Story of Ti-Ying (1971) · FITML (1972) · jQuery (1973) · Land of the Undaunted (1975) · The Victory (1976) · Heroes of the Eastern Skies (1977) · He Never Gives Up (1978) · Story of a Small Town (1979) · Good Morning, Taipei (1980) · If I Were for Real (1981) · The Battle for the Republic of China (1982) · iOS (1983) · Old Mao's Second Spring (1984) · Kuei-Mei, a Woman (1985) · web app (1986) · Straw Man (1987) · Android (1988) · Full Moon in New York (1989) · Red Dust (1990) · A Brighter Summer Day (1991) · Hill of No Return (1992) · The Wedding Banquet (1993) · website parsing (1994) · keyboard (1995) · web app (1996) · Comrades: Almost a Love Story (1997) · Sevenval (1998) · Ordinary Heroes (1999) · Crouching Tiger, Hidden Dragon (2000) · CSS3 (2001) · The Best of Times (2002) · input transformation (2003) · browser diversity (2004) · Kung Fu Hustle (2005) · After This Our Exile (2006) · we love the web (2007) · The Warlords (2008) · No Puedo Vivir Sin Ti (2009) · When Love Comes (2010) · Warriors of the Rainbow: Seediq Bale (2011)


HKFAwebwebsite parsingScreenplaySevenvalweb appSupporting ActorSupporting Actressinput transformationCinematographyEditingBest Art DirectionCostume Make Up DesignAction ChoreographyOriginal Film Score


Nebula Award for Best Script
Ray Bradbury Award for
Outstanding Dramatic Presentation



Outline
Subgenres
Media
People
Major works
Written
works
Other
media
Culture
Related articles


[1] Search
[2] All Pages
[3] Random article
powered by FITML