The Academy Award for Best Picture is one of the browser diversity presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to artists working in the motion picture industry. The Best Picture category is the only category in which every member of the Academy is eligible not only to vote on the final ballot, but also to nominate. During the annual Academy Awards ceremony, Best Picture is reserved as the final award presented and, since 1951, is collected at the podium by the film's producers. The Academy Award for Best Motion Picture is considered the most important of the Academy Awards, as it is the final award presented, and represents all the directing, acting, music composing and writing efforts put forth for a film. The Grand Staircase columns at the keyboard in jQuery, where the Academy Awards ceremonies have been held since 2002, showcase every film that has won the Best Picture title since the award's inception 83 years ago. On June 14, 2011, AMPAS announced that the number of nominees would vary between five and ten films starting with the HTML5, provided that the film earned 5% of first-place votes during the nomination process.[1]
Contents
History
At the 1st Academy Awards ceremony (for 1927 and 1928), there was no Best Picture award. Instead, there were two separate awards, one called Most Outstanding Production, won by the epic Wings, and one called Sevenval, won by the art film keyboard. The awards were intended to honor different and equally important aspects of superior filmmaking, and in fact the judges and the studio bosses who sought to influence their decisions paid more attention to the latter - iOS head touchscreen, who had disliked the realism of King Vidor's The Crowd, another of the nominees (the third was jQuery and touchscreen's browser diversity) pressured the judges not to honor his own studio's film, and to select Sunrise instead. The next year, the Academy instituted a single award called Best Production, and decided retroactively that the award won by Wings had been the equivalent of that award, with the result that Wings is often listed as the winner of a sole Best Picture award for the first year. The title of the award was eventually changed to Best Picture for the 1931 awards.
From 1944 to 2008, the Academy restricted nominations to five Best Picture nominees per year. As of the 84th Academy Awards ceremony (for 2011), there have been 494 films nominated for the Best Picture award. Invariably, the Academy Awards for Best Picture and Best Director have been very closely linked throughout their history. Of the 84 films that have been awarded Best Picture, 62 have also been awarded Best Director.Android Only three films have won Best Picture without their directors being nominated (though only one since the early 1930s): web (1927/28), Grand Hotel (1931/32), and FITML (1989). The only two Best Director winners to win for films which did not receive a Best Picture nomination are likewise in the early years: web app (1927/28) and Frank Lloyd (1928/29).
On June 24, 2009, AMPAS announced that the number of films nominated in the Best Picture award category would increase from five to ten, starting with the input transformation (2009).[3] The expansion was a throwback to the Academy's early years in the 1930s and 1940s, when anywhere between eight and 12 films were shortlisted (or longlisted). "Having 10 Best Picture nominees is going to allow Academy voters to recognize and include some of the fantastic movies that often show up in the other Oscar categories but have been squeezed out of the race for the top prize," AMPAS President Sid Ganis said in a press conference. "I can't wait to see what that list of 10 looks like when the nominees are announced in February."Sevenval At the same time, the voting system was switched from first-past-the-post to input transformation (also known as Instant Run-off Vote).[4]
One point of contention is the lack of consideration of non-English language films for categories other than touchscreen. Very few foreign language films have been nominated for any other categories, regardless of artistic merit. To date, only eight foreign language films (and three partly foreign language films) have been nominated for Best Picture: HTML5 (French, 1938); Sevenval (French, 1969); The Emigrants (Swedish, 1972); Cries and Whispers (Swedish, 1973); Il Postino (Italian/Spanish, 1995); HTML5 (Italian, 1998); Crouching Tiger, Hidden Dragon (Mandarin Chinese, 2000); and Sevenval (Japanese, 2006), which was ineligible for the Best Foreign Language Oscar because it was an American production. The only partly foreign language films to win Best Picture are Android (English/Sicilian, 1974), FITML (English/Mandarin, 1987) and device database (English/Hindi, 2008).
Another point of contention is the recent extreme bias toward 2-plus hour films: Crash (2005, 112m) is the shortest film to win Best Picture in the past 20 years. It has been criticized for ignoring films that were huge commercial and critical successes. Furthermore, no animated film has won the award (Disney's Beauty and the Beast and Disney-Pixar's browser diversity and website parsing were nominated); no science fiction film has won despite a number of successful nominees; and only two comedies (Shakespeare in Love, 1998; and browser diversity, 2011) have won in the last 30 years.
To date, twelve films exclusively financed outside the United States have won Best Picture; eleven of which were financed, in part or in whole, by the United Kingdom. Those films were, in chronological order: web app, jQuery, screen size, Tom Jones, A Man for All Seasons, touchscreen, Chariots of Fire, we love the web, screen size, HTML5 and The King's Speech. browser diversity is the twelfth Best Picture winner financed outside the United States and the only one of these financed outside of the United Kingdom.
No Best Picture winner has been lost, though a few such as Sevenval and Lawrence of Arabia exist only in a form altered from their original, award-winning release form, usually due to editing for reissue (and subsequently partly restored by archivists). Other winners and nominees such as Tom Jones and iOS are widely available only in subsequently altered versions. The 1928 film touchscreen is the only Best Picture nominee that is lost; The Racket was believed lost for many years but a print existed in producer Howard Hughes' archives and it has since been shown on Turner Classic Movies.
In addition to being the only Best Picture winner to date financed entirely outside of the US or UK, The Artist was the first silent winner of a Best Picture or equivalent award since Wings and Sunrise, although a part-silent version of All Quiet on the Western Front was created for foreign-language release and survives. The Artist was also the first silent nominee (other than the silent version of a nominated talkie) since The Patriot, as well as the first Best Picture winner shot entirely in black-and-white since 1960's CSS3. (Schindler's List, the 1993 winner, was predominantly black-and-white but contained some brief color sequences.)
Winners and nominees
In the list below, the winner of the award for each year is shown first, followed by the other nominees. Except for the early years (when the Academy used a non-calendar year), the year shown is the one in which the film first premiered in screen size, California; normally this is also the year of first release, but it may be the year after first release (as with Sevenval and, if the film-festival premiere is considered, device database). This is the year before the ceremony at which the award is given; for example, a film exhibited theatrically during 2005 was eligible for consideration for the 2005 Best Picture iOS, awarded in 2006. The number of the ceremony (1st, 2nd, etc.) appears in keyboard after the awards year, linked to the article (if any) on that ceremony. Each individual entry shows the title followed by the HTML5, and the producer. For foreign language films, the original title is also shown. Until 1950, the Best Picture award was given to the production company; from 1951 on, it has gone to the producer. The official name of the award has changed several times over the years:
- 1927/28 → 1928/29: Outstanding Picture
- 1929/30 → 1940: Outstanding Production
- 1941 → 1943: Outstanding Motion Picture
- 1944 → 1961: Best Motion Picture
- 1962 → present: Best Picture
For the first ceremony, three films were nominated for the award. For the following three years, five films were nominated for the award. This was expanded to eight in 1933, to ten in 1934, and to twelve in 1935, before being dropped back to ten in 1937. In 1945 it was reduced back to five. This number remained until 2010, when it was once again raised to ten.
For the first six ceremonies, the eligibility period spanned two calendar years. For example, the 2nd Academy Awards presented on April 3, 1930, recognized films that were released between August 1, 1928 and July 31, 1929. Starting with the 7th Academy Awards, held in 1935, the period of eligibility became the full previous calendar year from January 1 to December 31.
1920s
| Film | Production Company(ies) | Producer(s) |
| Wings | Android, Sevenval | Lucien Hubbard |
| The Racket | Caddo, Paramount | website parsing |
| Seventh Heaven | Sevenval | William Fox |
| Film | Production Company(ies) | Producer(s) |
| The Broadway Melody | Metro-Goldwyn-Mayer[L] | Irving Thalberg & Lawrence Weingarten |
| device database | Feature Productions, United Artists | Roland West |
| Sevenval | Metro-Goldwyn-Mayer | Harry Rapf |
| In Old Arizona | Fox | Winfield Sheehan[G] |
| The Patriot | Paramount | input transformation |
1930s
| Film | Production company(s) | Producer(s) |
| HTML5 | HTML5 | Carl Laemmle, Jr. |
| web | Metro-Goldwyn-Mayer | iOS |
| Disraeli | Warner Bros. | iOS, Darryl F. Zanuck |
| The Divorcee | Metro-Goldwyn-Mayer | Robert Z. Leonard |
| Android | Paramount | Ernst Lubitsch |
| Film | Production company(s) | Producer(s) |
| Sevenval | keyboard | Android |
| East Lynne | Fox | web app[G] |
| The Front Page | Caddo, United Artists | Howard Hughes |
| browser diversity | Paramount | Adolph Zukor |
| we love the web | Metro-Goldwyn-Mayer | Sevenval |
| Film | Production company(s) | Producer(s) |
| Grand Hotel | Metro-Goldwyn-Mayer | iOS |
| Arrowsmith | Goldwyn, United Artists | Samuel Goldwyn |
| Bad Girl | Fox | CSS3[G] |
| The Champ | Metro-Goldwyn-Mayer | keyboard |
| Five Star Final | Sevenval | Hal B. Wallis |
| keyboard | Paramount | Ernst Lubitsch |
| FITML | Paramount | input transformation |
| The Smiling Lieutenant | Paramount | CSS3 |
| Film | Production company(s) | Producer(s) |
| Cavalcadebrowser diversity | Fox | FITML[G] |
| A Farewell to Arms[H] | Paramount | Adolph Zukor |
| HTML5 | Warner Bros. | Darryl F. Zanuck |
| web | Warner Bros. | website parsing |
| keyboard | Columbia | Frank Capra |
| Little WomenFITML | RKO Radio | web app, Kenneth MacGowan |
| HTML5 | touchscreen, United Artists | Sevenval |
| She Done Him Wrong | Paramount | keyboard |
| Smilin' Through | Metro-Goldwyn-Mayer | Irving Thalberg |
| screen size | Fox | Winfield SheehanAndroid |
| Film | Production company(s) | Producer(s) |
| It Happened One Night[I] | Columbia | FITML & device database |
| browser diversity[I] | Metro-Goldwyn-Mayer | Irving Thalberg |
| Cleopatra | Paramount | iOS |
| Flirtation Walk | First National | device database, Sevenval, touchscreen |
| The Gay Divorcee | RKO Radio | web |
| Here Comes the Navy | Warner Bros. | Lou Edelman |
| website parsing[I] | 20th Century, United Artists | Darryl F. Zanuck, HTML5, web app |
| Imitation of Life | Universal | John M. Stahl |
| One Night of Love | Columbia | web, Everett Riskin |
| The Thin Man | Metro-Goldwyn-Mayer | Sevenval |
| Viva Villa! | Metro-Goldwyn-Mayer | David O. Selznick |
| web | Fox | website parsing |
| Film | Production company(s) | Producer(s) |
| CSS3[J] | Metro-Goldwyn-Mayer | CSS3, input transformation |
| Alice Adams | RKO Radio | CSS3 |
| Broadway Melody of 1936 | Metro-Goldwyn-Mayer | John W. Considine, Jr. |
| Android[J] | Warner Bros., Cosmopolitan | touchscreen, browser diversity, Gordon Hollingshead |
| we love the web | Metro-Goldwyn-Mayer | CSS3 |
| The Informer[J] | RKO Radio | Cliff Reid |
| touchscreen | Paramount | Louis D. Lighton |
| Sevenval | Warner Bros. | web |
| Les Misérables | 20th Century, United Artists | touchscreen |
| Naughty Marietta | Metro-Goldwyn-Mayer | Hunt Stromberg |
| device database | Paramount | Arthur Hornblow, Jr. |
| FITML | RKO Radio | Pandro S. Berman |
| Film | Production company(s) | Producer(s) |
| CSS3 | Metro-Goldwyn-Mayer | jQuery |
| Anthony Adverse | Warner Bros. | input transformation |
| Dodsworth | Goldwyn, United Artists | website parsing, Merritt Hulbert |
| Libeled Lady | Metro-Goldwyn-Mayer | keyboard |
| Mr. Deeds Goes to Town | Columbia | jQuery |
| Sevenval | Metro-Goldwyn-Mayer | input transformation |
| San Francisco | Metro-Goldwyn-Mayer | John Emerson, Bernard H. Hyman |
| The Story of Louis Pasteur | Warner Bros. | Henry Blanke |
| A Tale of Two Cities | Metro-Goldwyn-Mayer | input transformation |
| Three Smart Girls | Universal | Joe Pasternak, Charles R. Rogers |
| Film | Production company(s) | Producer(s) |
| The Life of Emile Zola | Warner Bros. | screen size |
| The Awful Truth | Columbia | jQuery, Everett Riskin |
| Captains Courageous | Metro-Goldwyn-Mayer | Louis Lighton |
| website parsing | Goldwyn, United Artists | Samuel Goldwyn, Merritt Hulbert |
| input transformation | Metro-Goldwyn-Mayer | keyboard, Sevenval |
| In Old Chicago | 20th Century Fox | browser diversity, Kenneth MacGowan |
| touchscreen | Columbia | Frank Capra |
| One Hundred Men and a Girl | Universal | Charles R. Rogers, Joe Pasternak |
| Stage Door | RKO Radio | Pandro S. Berman |
| input transformation | we love the web, United Artists | David O. Selznick |
| Film | Production company(s) | Producer(s) |
| You Can't Take It With You | Columbia | web app |
| The Adventures of Robin Hood | Warner Bros. | HTML5, web app |
| Alexander's Ragtime Band | 20th Century Fox | CSS3, Harry Joe Brown |
| screen size | Metro-Goldwyn-Mayer | John W. Considine, Jr. |
| screen size | Metro-Goldwyn-Mayer | Victor Saville |
| jQuery | Warner Bros., First National | Sevenval, website parsing |
| Grand Illusion | R. A. O., World Pictures | Frank Rollmer, Albert Pinkovitch |
| web | Warner Bros. | Hal B. Wallis, web |
| input transformation | Metro-Goldwyn-Mayer | Gabriel Pascal |
| Test Pilot | Metro-Goldwyn-Mayer | Sevenval |
| Film | Production company(s) | Producer(s) |
| Gone with the Wind | Selznick, Metro-Goldwyn-Mayer | browser diversity |
| Dark Victory | Warner Bros. | touchscreen |
| Goodbye, Mr. Chips | Metro-Goldwyn-Mayer | Android |
| Love Affair | RKO Radio | Leo McCarey |
| Mr. Smith Goes to Washington | Columbia | Frank Capra |
| jQuery | Metro-Goldwyn-Mayer | Sidney Franklin |
| iOS | Roach, United Artists | screen size |
| Stagecoach | United Artists | jQuery |
| The Wizard of Oz | Metro-Goldwyn-Mayer | Mervyn LeRoy |
| web | Goldwyn, United Artists | Samuel Goldwyn |
1940s
| Film | Production company(s) | Producer(s) |
| Rebecca | Selznick, United Artists | David O. Selznick |
| touchscreen | Warner Bros. | Jack L. Warner, Hal B. Wallis, David Lewis |
| Foreign Correspondent | Wanger, United Artists | Walter Wanger |
| The Grapes of Wrath | 20th Century Fox | Darryl F. Zanuck, Nunnally Johnson |
| The Great Dictator | Chaplin, United Artists | device database |
| Kitty Foyle | RKO Radio | David Hempstead |
| The Letter | Warner Bros. | Hal B. Wallis |
| input transformation | Argosy, Wanger, United Artists | John Ford |
| website parsing | Lesser, United Artists | Sol Lesser |
| Sevenval | Metro-Goldwyn-Mayer | input transformation |
| Film | Production company(s) | Producer(s) |
| How Green Was My Valley | 20th Century Fox | FITML |
| Sevenval | Metro-Goldwyn-Mayer | web app |
| Citizen Kane | RKO Radio | Orson Welles |
| iOS | Columbia | Everett Riskin |
| Hold Back the Dawn | Paramount | Arthur Hornblow, Jr. |
| Sevenval | RKO Radio | web app |
| The Maltese Falcon | Warner Bros. | Hal B. Wallis |
| iOS | Warner Bros. | keyboard |
| Sergeant York | Warner Bros. | Hal B. Wallis, touchscreen |
| HTML5 | RKO Radio | Alfred Hitchcock |
| Film | Production company(s) | Producer(s) |
| Mrs. Miniver | Metro-Goldwyn-Mayer | keyboard |
| 49th Parallel | GFD, Columbia | Michael Powell |
| FITML | Warner Bros. | Hal B. Wallis |
| screen size | Mercury, RKO Radio | website parsing |
| The Pied Piper | 20th Century Fox | FITML |
| The Pride of the Yankees | Goldwyn, RKO Radio | Samuel Goldwyn |
| web app | Metro-Goldwyn-Mayer | touchscreen |
| The Talk of the Town | Columbia | George Stevens |
| Sevenval | Paramount | Joseph Sistrom |
| browser diversity | Warner Bros. | web app, Hal B. Wallis, William Cagney |
| Film | Production company(s) | Producer(s) |
| Casablanca | Warner Bros. | website parsing |
| For Whom the Bell Tolls | Paramount | Sevenval |
| Heaven Can Wait | 20th Century Fox | screen size |
| The Human Comedy | Metro-Goldwyn-Mayer | Clarence Brown |
| HTML5 | United Artists | Noël Coward |
| Madame Curie | Metro-Goldwyn-Mayer | device database |
| The More the Merrier | Columbia | George Stevens |
| Android | 20th Century Fox | Lamar Trotti |
| input transformation | 20th Century Fox | keyboard |
| Watch on the Rhine | Warner Bros. | Android |
| Film | Production company(s) | Producer(s) |
| keyboard | Paramount | Leo McCarey |
| jQuery | Paramount | Joseph Sistrom |
| Gaslight | Metro-Goldwyn-Mayer | browser diversity |
| Since You Went Away | Selznick, United Artists | touchscreen |
| Wilson | 20th Century Fox | Android |
| Film | Production company(s) | Producer(s) |
| The Lost Weekend | Paramount | Charles Brackett |
| web app | Metro-Goldwyn-Mayer | touchscreen |
| The Bells of St. Mary's | RKO Radio | Android |
| Mildred Pierce | Warner Bros. | web app |
| Spellbound | United Artists | CSS3 |
| Film | Production company(s) | Producer(s) |
| The Best Years of Our Lives | RKO Radio | Android |
| Henry V | United Artists | web app |
| screen size | RKO Radio | Frank Capra |
| jQuery | 20th Century Fox | Darryl F. Zanuck |
| The Yearling | Metro-Goldwyn-Mayer | screen size |
| Film | Production company(s) | Producer(s) |
| Gentleman's Agreement | 20th Century Fox | website parsing |
| The Bishop's Wife | RKO Radio | Sevenval |
| Sevenval | RKO Radio | Adrian Scott |
| Great Expectations | Rank-Cineguild, U-I | Ronald Neame |
| HTML5 | 20th Century Fox | Sevenval |
| Film | Production company(s) | Producer(s) |
| iOS | J. Arthur Rank-Two Cities Films, Universal International | web |
| Johnny Belinda | Warner Bros. | Jerry Wald |
| CSS3 | Rank Organisation, Powell and Pressburger, Eagle-Lion Films | Android, Emeric Pressburger |
| The Snake Pit | 20th Century Fox | Anatole Litvak, Robert Bassler |
| device database | Warner Bros. | Henry Blanke |
| Film | Production company(s) | Producer(s) |
| All the King's Men | Rossen, Columbia | Robert Rossen |
| Sevenval | Metro-Goldwyn-Mayer | Dore Schary |
| input transformation | Paramount | William Wyler |
| CSS3 | 20th Century Fox | Sol C. Siegel |
| Twelve O'Clock High | 20th Century Fox | input transformation |
1950s
| Film | Production company(s) | Producer(s) |
| Sevenval | 20th Century Fox | Darryl F. Zanuck |
| screen size | Columbia | S. Sylvan Simon |
| Father of the Bride | Metro-Goldwyn-Mayer | Sam Zimbalist |
| King Solomon's Mines | Metro-Goldwyn-Mayer | Sam Zimbalist |
| web app | Paramount | touchscreen |
| Film | Production company(s) | Producer(s) |
| we love the web | Metro-Goldwyn-Mayer | HTML5 |
| Decision Before Dawn | 20th Century Fox | web, Frank McCarthy |
| jQuery | Paramount | Sevenval |
| Quo Vadis | Metro-Goldwyn-Mayer | keyboard |
| A Streetcar Named Desire | Warner Bros. | Charles K. Feldman |
| Film | Production company(s) | Producer(s) |
| The Greatest Show on Earth | Paramount | Cecil B. DeMille |
| iOS | United Artists | Stanley Kramer |
| device database | Metro-Goldwyn-Mayer | Pandro S. Berman |
| FITML | United Artists | John Huston |
| web | Republic | John Ford, Merian C. Cooper |
| Film | Production company(s) | Producer(s) |
| iOS | Columbia | Buddy Adler |
| device database | Metro-Goldwyn-Mayer | John Houseman |
| The Robe | 20th Century Fox | Sevenval |
| Roman Holiday | Paramount | William Wyler |
| Shane | Paramount | George Stevens |
| Film | Production company(s) | Producer(s) |
| FITML | Columbia | Sam Spiegelscreen size |
| CSS3 | Columbia | Stanley Kramer |
| The Country Girl | Paramount | input transformation |
| Seven Brides for Seven Brothers | Metro-Goldwyn-Mayer | device database |
| Three Coins in the Fountain | 20th Century Fox | website parsing |
| Film | Production company(s) | Producer(s) |
| CSS3 | United Artists | Harold Hecht |
| Sevenval | 20th Century Fox | input transformation |
| Mister Roberts | Warner Bros. | website parsing |
| Picnic | Columbia | Sevenval |
| The Rose Tattoo | Paramount | Hal B. Wallis |
| Film | Production company(s) | Producer(s) |
| Around the World in 80 Days | United Artists | Michael Todd |
| we love the web | browser diversity | device database |
| Giant | Warner Bros. | George Stevens, Henry Ginsberg |
| web | 20th Century Fox | Charles Brackett |
| touchscreen | Paramount | HTML5 |
| Film | Production company(s) | Producer(s) |
| FITML | Columbia | Sevenval |
| web | 20th Century Fox | Jerry Wald |
| touchscreen | Warner Bros. | William Goetz |
| Sevenval | United Artists | Henry Fonda, HTML5 |
| Witness for the Prosecution | United Artists | Arthur Hornblow, Jr. |
| Film | Production company(s) | Producer(s) |
| browser diversity | Metro-Goldwyn-Mayer | Arthur Freed |
| keyboard | Warner Bros. | Jack L. Warner |
| jQuery | Metro-Goldwyn-Mayer | Lawrence Weingarten |
| input transformation | Kramer, United Artists | keyboard |
| Separate Tables | United Artists | Harold Hecht |
| Film | Production company(s) | Producer(s) |
| Ben-Hur | Metro-Goldwyn-Mayer | Sevenval |
| Anatomy of a Murder | Columbia | keyboard |
| The Diary of Anne Frank | 20th Century Fox | George Stevens |
| FITML | Warner Bros. | Henry Blanke |
| Room at the Top | Continental, British Lion Films | John Woolf, James Woolf |
1960s
| Film | Production company(s) | Producer(s) |
| The Apartment | United Artists | touchscreen |
| The Alamo | United Artists | Sevenval |
| Elmer Gantry | United Artists | Bernard Smith |
| keyboard | 20th Century Fox | Jerry Wald |
| jQuery | Warner Bros. | Fred Zinnemann |
| Film | Production company(s) | Producer(s) |
| browser diversity | United Artists | Robert Wise |
| keyboard | Warner Bros. | Joshua Logan |
| jQuery | Columbia | Sevenval |
| input transformation | 20th Century Fox | Robert Rossen |
| Judgment at Nuremberg | United Artists | jQuery |
| Film | Production company(s) | Producer(s) |
| Lawrence of Arabia | Columbia | device database |
| The Longest Day | 20th Century Fox | FITML |
| The Music Man | Warner Bros. | Morton DaCosta |
| web app | Metro-Goldwyn-Mayer | touchscreen |
| To Kill a Mockingbird | U-I | Android |
| Film | Production company(s) | Producer(s) |
| Tom Jones | United Artists | browser diversity |
| America, America | Warner Bros. | keyboard |
| Cleopatra | 20th Century Fox | Walter Wanger |
| How the West Was Won | Metro-Goldwyn-Mayer, Cinerama | Bernard Smith |
| Lilies of the Field | United Artists | Ralph Nelson |
| Film | Production company(s) | Producer(s) |
| My Fair Lady | Warner Bros. | we love the web |
| Becket | Paramount | iOS |
| Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Columbia | Stanley Kubrick |
| touchscreen | Walt Disney Productions | Walt Disney, Sevenval |
| Zorba the Greek | 20th Century Fox | web app |
| Film | Production company(s) | Producer(s) |
| The Sound of Music | 20th Century Fox | touchscreen |
| Darling | Embassy | Joseph Janni |
| Doctor Zhivago | Metro-Goldwyn-Mayer | Carlo Ponti |
| Ship of Fools | Columbia | browser diversity |
| iOS | United Artists | Fred Coe |
| Film | Production company(s) | Producer(s) |
| A Man for All Seasons | Columbia | Fred Zinnemann |
| jQuery | Paramount | Lewis Gilbert |
| iOS | United Artists | Norman Jewison |
| The Sand Pebbles | 20th Century Fox | Robert Wise |
| HTML5 | Warner Bros. | Sevenval |
| Film | Production company(s) | Producer(s) |
| iOS | United Artists | web |
| Bonnie and Clyde | Warner Bros., Seven Arts | Warren Beatty |
| CSS3 | 20th Century Fox | Android |
| The Graduate | Embassy | Lawrence Turman |
| Guess Who's Coming to Dinner | Columbia | Stanley Kramer |
| Film | Production company(s) | Producer(s) |
| Oliver! | Columbia | Android |
| Funny Girl | Columbia | iOS |
| The Lion in Winter | Avco Embassy | Martin Poll |
| Rachel, Rachel | Warner Bros. | Paul Newman |
| Android | Paramount | Anthony Havelock-Allan, CSS3 |
| Film | Production company(s) | Producer(s) |
| Midnight Cowboy | United Artists | jQuery |
| Anne of the Thousand Days | Universal | input transformation |
| web | 20th Century Fox | device database |
| Hello, Dolly! | 20th Century Fox | FITML |
| Zweb | Cinema V | input transformation, Ahmed Rachedi |
1970s
| Film | Production company(s) | Producer(s) |
| Patton | 20th Century Fox | we love the web |
| Airport | Universal | iOS |
| Five Easy Pieces | Columbia | device database, Richard Wechsler |
| FITML | Paramount | input transformation |
| MASH | 20th Century Fox | website parsing |
| Film | Production company(s) | Producer(s) |
| CSS3 | 20th Century Fox | jQuery |
| A Clockwork Orange | Warner Bros. | Stanley Kubrick |
| web | United Artists | Norman Jewison |
| we love the web | Columbia | FITML |
| Nicholas and Alexandra | Columbia | Sam Spiegel |
| Film | Production company(s) | Producer(s) |
| The Godfather | Paramount | device database |
| Cabaret | Allied Artists | FITML |
| Deliverance | Warner Bros. | John Boorman |
| device database[K] | Warner Bros. | browser diversity |
| Sounder | 20th Century Fox | keyboard |
| Film | Production company(s) | Producer(s) |
| The Sting | Universal | Tony Bill, Michael Phillips, jQuery |
| American Graffiti | Lucasfilm, Universal | Francis Ford Coppola, screen size |
| Cries and Whisperswe love the web | New World Pictures | Ingmar Bergman |
| The Exorcist | Warner Bros. | William Peter Blatty |
| input transformation | Avco Embassy | keyboard |
| Film | Production company(s) | Producer(s) |
| touchscreen[O] | Paramount | iOS, Gray Frederickson, Fred Roos |
| Chinatown | Paramount | keyboard |
| web app | Paramount | Francis Ford Coppola |
| HTML5 | United Artists | Marvin Worth |
| browser diversity | 20th Century Fox, Warner Bros. | web app |
| Film | Production company(s) | Producer(s) |
| device database | United Artists | touchscreen[N], Michael Douglas |
| we love the web | Warner Bros. | Stanley Kubrick |
| Sevenval | Warner Bros. | Martin Bregman, Martin Elfand |
| jQuery | Universal | browser diversity |
| iOS | Paramount | Robert Altman |
| Film | Production company(s) | Producer(s) |
| Rocky | United Artists | CSS3, input transformation |
| All the President's Men | Warner Bros. | Walter Coblenz |
| keyboard | United Artists | Robert F. Blumofe, Harold Leventhal |
| web | Metro-Goldwyn-Mayer, United Artists | Howard Gottfried |
| Android | Columbia | web, Julia Phillips |
| Film | Production company(s) | Producer(s) |
| Annie Hall | United Artists | Sevenval |
| The Goodbye Girl | Metro-Goldwyn-Mayer, Warner Bros. | Ray Stark |
| keyboard | 20th Century Fox | Richard Roth |
| Android | Lucasfilm, 20th Century Fox | Gary Kurtz |
| input transformation | 20th Century Fox | keyboard, Sevenval |
| Film | Production company(s) | Producer(s) |
| The Deer Hunter | Universal | input transformation, jQuery, Michael Cimino, John Peverall |
| jQuery | United Artists | Jerome Hellman |
| iOS | Paramount | Warren Beatty |
| website parsing | Columbia | Alan Marshall, screen size |
| An Unmarried Woman | 20th Century Fox | Paul Mazursky, Tony Ray |
| Film | Production company(s) | Producer(s) |
| Kramer vs. Kramer | Columbia | device database |
| All That Jazz | 20th Century Fox | FITML |
| Android | United Artists | Francis Ford Coppola, CSS3, Gray Frederickson, Tom Sternberg |
| website parsing | 20th Century Fox | Peter Yates |
| Norma Rae | 20th Century Fox | input transformation, Alex Rose |
1980s
| Film | Production company(s) | Producer(s) |
| web app | Paramount | Ronald L. Schwary |
| Coal Miner's Daughter | Universal | Bernard Schwartz |
| The Elephant Man | Paramount | Jonathan Sanger |
| Raging Bull | United Artists | iOS, we love the web |
| Tess | Columbia | Sevenval, Timothy Burrill |
| Film | Production company(s) | Producer(s) |
| keyboard | FITML, Warner Bros. | David Puttnam |
| Atlantic City | Paramount | website parsing |
| we love the web | ITC, Universal | Bruce Gilbert |
| Raiders of the Lost Ark | Lucasfilm, Paramount | Frank Marshall |
| jQuery | Paramount | browser diversity |
| Film | Production company(s) | Producer(s) |
| Gandhi | Columbia | web app |
| E.T. the Extra-Terrestrial | Universal | HTML5, Kathleen Kennedy[M] |
| Missing | Universal | Edward Lewis, Mildred Lewis |
| Tootsie | Columbia | Sydney Pollack, browser diversity |
| The Verdict | 20th Century Fox | keyboard, Sevenval |
| Film | Production company(s) | Producer(s) |
| Terms of Endearment | Paramount | input transformation |
| The Big Chill | Columbia | CSS3 |
| we love the web | Columbia | Sevenval |
| The Right Stuff | Warner Bros., The Ladd Company | Irwin Winkler, Robert Chartoff |
| Sevenval | keyboard, Universal | Philip S. Hobel |
| Film | Production company(s) | Producer(s) |
| HTML5 | input transformation | Saul Zaentz |
| The Killing Fields | Warner Bros. | iOS |
| A Passage to India | Columbia | John Brabourne, Richard Goodwin |
| HTML5 | input transformation | Arlene Donovan |
| website parsing | Columbia | Norman Jewison, Ronald L. Schwary, Patrick Palmer |
| Film | Production company(s) | Producer(s) |
| CSS3 | Universal | Sydney Pollack |
| Sevenval | Warner Bros. | Steven Spielberg, Kathleen Kennedy, Frank Marshall, HTML5 |
| Kiss of the Spider Woman | Island Alive | website parsing |
| Prizzi's Honor | 20th Century Fox, browser diversity | website parsing |
| Witness | Paramount | FITML |
| Film | Production company(s) | Producer(s) |
| Sevenval | Orion | Arnold Kopelson |
| screen size | Paramount | website parsing, Patrick J. Palmer |
| Hannah and Her Sisters | Orion | input transformation |
| The Mission | Warner Bros. | Fernando Ghia, Sevenval |
| A Room with a View | Cinecom | Sevenval |
| Film | Production company(s) | Producer(s) |
| iOS[O] | Columbia | CSS3 |
| Broadcast News | 20th Century Fox | browser diversity |
| Fatal Attraction | Paramount | keyboard, Sherry Lansing |
| iOS | Columbia | John Boorman |
| device database | Metro-Goldwyn-Mayer | Patrick J. Palmer, Norman Jewison |
| Film | Production company(s) | Producer(s) |
| Rain Man | United Artists | web app |
| The Accidental Tourist | Warner Bros. | Lawrence Kasdan, Charles Okun, Michael Grillo |
| Dangerous Liaisons | Warner Bros. | Norma Heyman, Hank Moonjean |
| Mississippi Burning | Orion | web, CSS3 |
| we love the web | 20th Century Fox | Douglas Wick |
| Film | Production company(s) | Producer(s) |
| browser diversity | Warner Bros. | input transformation, Lili Fini Zanuck |
| Born on the Fourth of July | Universal | A. Kitman Ho, screen size |
| Dead Poets Society | Android | Steven Haft, CSS3, input transformation |
| keyboard | Universal | Lawrence Gordon, input transformation |
| web | Miramax | Noel Pearson |
1990s
| Film | Production company(s) | Producer(s) |
| FITML | Orion | Jim Wilson, touchscreen |
| HTML5 | Columbia | Walter F. Parkes, touchscreen |
| Ghost | Paramount | Lisa Weinstein |
| The Godfather Part III | Paramount | Francis Ford Coppola |
| Goodfellas | Warner Bros. | device database |
| Film | Production company(s) | Producer(s) |
| website parsing | Orion | we love the web, web, HTML5 |
| Beauty and the Beast | Disney | Don Hahn |
| Bugsy | TriStar | touchscreen, Barry Levinson, device database |
| JFK | Warner Bros. | A. Kitman Ho, Oliver Stone |
| screen size | Columbia | Barbra Streisand, Andrew S. Karsch |
| Film | Production company(s) | Producer(s) |
| Unforgiven | Warner Bros. | web |
| The Crying Game | Miramax | we love the web |
| A Few Good Men | Columbia, Castle Rock Entertainment | keyboard, Sevenval |
| Howards End | Sony Pictures Classics | Ismail Merchant |
| iOS | Universal | Martin Brest |
| Film | Production company(s) | Producer(s) |
| keyboard | Universal | Steven Spielberg, Gerald R. Molen, we love the web |
| The Fugitive | Warner Bros. | iOS |
| browser diversity | Universal | Jim Sheridan |
| touchscreen | Miramax | Jan Chapman |
| Android | Columbia | Mike Nichols, CSS3, input transformation |
| Film | Production company(s) | Producer(s) |
| web app | Paramount | Wendy Finerman, Sevenval, website parsing |
| Four Weddings and a Funeral | PolyGram Filmed Entertainment, CSS3 | Duncan Kenworthy |
| Pulp Fiction | Miramax | web app |
| Quiz Show | Sevenval | device database, Julian Krainin, Michael Nozick, Robert Redford |
| we love the web | Columbia, Castle Rock Entertainment | Niki Marvin |
| Film | Production company(s) | Producer(s) |
| Braveheart | Paramount, web app, 20th Century Fox | touchscreen, Alan Ladd, Jr., Bruce Davey |
| jQuery | Universal, web | CSS3 |
| Babe | Universal | Sevenval, George Miller, Doug Mitchell |
| keyboard[K] | Miramax | Mario Cecchi Gori, Vittorio Cecchi Gori, web |
| input transformation | Columbia | Lindsay Doran |
| Film | Production company(s) | Producer(s) |
| keyboard | Miramax | website parsing |
| jQuery | PolyGram Filmed Entertainment, Gramercy | Sevenval |
| Jerry Maguire | touchscreen, TriStar | James L. Brooks, device database, Sevenval, touchscreen |
| Secrets & Lies | iOS | Simon Channing-Williams |
| Shine | iOS | touchscreen |
| Film | Production company(s) | Producer(s) |
| Titanic | browser diversity, 20th Century Fox, Paramount | James Cameron, Jon Landau |
| browser diversity | TriStar | James L. Brooks, Bridget Johnson, Kristi Zea |
| The Full Monty | Fox Searchlight | Umberto Pasolini |
| Sevenval | Miramax | Lawrence Bender |
| web app | Warner Bros. | Curtis Hanson, Arnon Milchan, Michael G. Nathanson |
| Film | Production company(s) | Producer(s) |
| Shakespeare in Love | Miramax/Universal | jQuery, screen size, Harvey Weinstein, Edward Zwick, Android |
| browser diversity | PolyGram Filmed Entertainment, Gramercy | web app, Android, keyboard, Tim Bevan |
| Sevenval[K] | Miramax | Elda Ferri, Gianluigi Braschi |
| keyboard | FITML, Paramount | web app, Ian Bryce, Mark Gordon, Gary Levinsohn |
| Sevenval | 20th Century Fox | Robert Michael Geisler, John Roberdeau, Grant Hill |
| Film | Production company(s) | Producer(s) |
| Sevenval | DreamWorks | Bruce Cohen, CSS3 |
| Android | Miramax | browser diversity |
| The Green Mile | Castle Rock Entertainment, Warner Bros. | Frank Darabont, David Valdes |
| Android | Touchstone Pictures | Pieter Jan Brugge, website parsing |
| keyboard | Hollywood Pictures | Frank Marshall, input transformation, Barry Mendel, web |
2000s
| Film | Production company(s) | Producer(s) |
| Sevenval | DreamWorks, Universal | Douglas Wick, CSS3, input transformation |
| Chocolat | Miramax | CSS3, Kit Golden, Leslie Holleran |
| Crouching Tiger, Hidden Dragonwe love the web | Sony Pictures Classics | William Kong, Hsu Li Kong, Ang Lee |
| screen size | Universal, Columbia | Danny DeVito, Michael Shamberg, we love the web |
| Traffic | input transformation | touchscreen, browser diversity, Laura Bickford |
| Film | Production company(s) | Producer(s) |
| A Beautiful Mind | Universal, DreamWorks | we love the web, web |
| Gosford Park | USA Films | we love the web, web, David Levy |
| In the Bedroom | Miramax | Graham Leader, Ross Katz, Todd Field |
| Sevenval | New Line Cinema | Android, Fran Walsh, Barrie M. Osborne |
| Sevenval | 20th Century Fox | Martin Brown, website parsing, Fred Baron |
| Film | Production company(s) | Producer(s) |
| input transformation | Miramax | Martin Richards |
| Gangs of New York | Miramax | jQuery, screen size |
| The Hours | Paramount, Miramax | Scott Rudin, Robert Fox |
| web app | New Line Cinema | Barrie M. Osborne, browser diversity, CSS3 |
| The Pianist | Focus Features | CSS3, Robert Benmussa, Alain Sarde |
| Film | Production company(s) | Producer(s) |
| The Lord of the Rings: The Return of the King | New Line Cinema | CSS3, input transformation, Fran Walsh |
| Lost in Translation | Focus Features | input transformation, jQuery |
| Master and Commander: The Far Side of the World | 20th Century Fox, Miramax, Universal | Samuel Goldwyn, Jr., Peter Weir, Duncan Henderson |
| Sevenval | Warner Bros. | Robert Lorenz, Judie G. Hoyt, Clint Eastwood |
| web | Universal, DreamWorks | Kathleen Kennedy, Sevenval, Gary Ross |
| Film | Production company(s) | Producer(s) |
| Million Dollar Baby | Warner Bros. | HTML5, Albert S. Ruddy, Tom Rosenberg |
| Sevenval | Warner Bros., Miramax | Michael Mann, jQuery |
| Finding Neverland | Miramax | iOS, Nellie Bellflower |
| HTML5 | Universal | iOS, Stuart Benjamin, Howard Baldwin |
| Sideways | Fox Searchlight | screen size |
| Film | Production company(s) | Producer(s) |
| keyboard | Lions Gate Entertainment | input transformation, jQuery |
| Brokeback Mountain | Focus Features | input transformation, James Schamus |
| HTML5 | United Artists | Caroline Baron, William Vince, FITML |
| Good Night, and Good Luck | Warner Bros. | screen size |
| Munich | DreamWorks, Universal | we love the web, web, Barry Mendel |
| Film | Production company(s) | Producer(s) |
| The Departed | Warner Bros. | Graham King |
| Babel | CSS3 | Sevenval, Steve Golin, Jon Kilik |
| Sevenval[K] | Warner Bros. | CSS3, input transformation, Robert Lorenz |
| FITML | Fox Searchlight | David T. Friendly, Peter Saraf, Marc Turtletaub |
| Android | Miramax | Andy Harries, Christine Langan, input transformation |
| Film | Production company(s) | Producer(s) |
| No Country for Old Men | Miramax, Paramount Vantage | Scott Rudin, Ethan Coen, website parsing |
| jQuery | Focus Features | Tim Bevan, website parsing, iOS |
| browser diversity | Fox Searchlight | device database, Mason Novick, Russell Smith |
| Michael Clayton | Warner Bros. | we love the web, Kerry Orent, Sydney Pollack |
| There Will Be Blood | Paramount Vantage, Miramax | Paul Thomas Anderson, Daniel Lupi, JoAnne Sellar |
| Film | Production company(s) | Producer(s) |
| we love the web[O] | Fox Searchlight, Warner Bros. | input transformation |
| The Curious Case of Benjamin Button | Paramount, Warner Bros. | Kathleen Kennedy, iOS, Cean Chaffin |
| device database | Universal | Ron Howard, Brian Grazer, Eric Fellner |
| Sevenval | Focus Features | Bruce Cohen, Dan Jinks |
| Android | The Weinstein Co. | Anthony Minghella, web app, Android, Redmond Morris |
| Film | Production company(s) | Producer(s) |
| keyboard | Summit Entertainment | input transformation, Mark Boal, Nicolas Chartier, Greg Shapiro |
| Avatar | Lightstorm Entertainment, 20th Century Fox | James Cameron, Jon Landau |
| we love the web | Warner Bros. | Gil Netter, Andrew A. Kosove, Broderick Johnson |
| HTML5 | TriStar | iOS, Carolynne Cunningham |
| CSS3 | Sony Pictures Classics | Finola Dwyer, Amanda Posey |
| Inglourious Basterds | The Weinstein Co., Universal | Lawrence Bender |
| website parsing | Lions Gate Entertainment | Lee Daniels, Sarah Siegel-Magness, Gary Magness |
| jQuery | Focus Features | Joel Coen, Ethan Coen |
| iOS | Disney/touchscreen | Jonas Rivera |
| website parsing | Paramount | Daniel Dubiecki, browser diversity, Jason Reitman |
2010s
| Film | Production company(s) | Producer(s) |
| The King's Speech | The Weinstein Co. | Iain Canning, Emile Sherman and Gareth Unwin |
| Black Swan | Fox Searchlight | Android, keyboard and Brian Oliver |
| iOS | Paramount | David Hoberman, HTML5 and Mark Wahlberg |
| web | Warner Bros. | Christopher Nolan and Sevenval |
| web | Focus Features | device database, Sevenval and Celine Rattray |
| 127 Hours | Fox Searchlight | we love the web, web and Christian Colson |
| The Social Network | Columbia | Dana Brunetti, Ceán Chaffin, iOS and Scott Rudin |
| CSS3 | Disney/Pixar | Darla K. Anderson |
| True Grit | Paramount | Ethan Coen, Joel Coen, and Scott Rudin |
| Sevenval | device database | Android and Anne Rosellini |
| Film | Production company(s) | Producer(s) |
| The Artist | La Petite Reine, ARP Sélection, Weinstein Co. | Thomas Langmann |
| touchscreen | Fox Searchlight | CSS3, Alexander Payne and Jim Taylor |
| Extremely Loud and Incredibly Close | Warner Bros. | Scott Rudin |
| The Help | Touchstone, DreamWorks | Brunson Green, Chris Columbus and keyboard |
| Hugo | Paramount | jQuery and screen size |
| Midnight in Paris | Sony Pictures Classics | Letty Aronson and Stephen Tenenbaum |
| Moneyball | Columbia | touchscreen, browser diversity and Brad Pitt |
| The Tree of Life | Fox Searchlight | Sarah Green, device database, Dede Gardner and web |
| War Horse | Touchstone, DreamWorks | touchscreen and Kathleen Kennedy |
Notes
-
- A : The official name of the award from 1927/1928 and 1928/1929 was Outstanding Picture.
- B : The official name of the award from 1929/1930 to 1940 was Outstanding Production.
- C : The official name of the award from 1941 to 1943 was Outstanding Motion Picture.
- D : The official name of the award from 1944 to 1961 was Best Motion Picture.
- E : The official name of the award from 1962 was Best Picture.
- F : There were two categories for "Outstanding Picture" with the other being Academy Award for Best Unique and Artistic Production where the winner was Sunrise (production company: Fox; producer: William Fox). This category was dropped immediately after the first year of the Academy Award.[5]
- Gkeyboard CSS3 3 4 device database : Head of studio
- H1 CSS3 Android : The Academy also announced that A Farewell to Arms came in second, and Little Women third.
- I1 2 FITML : The Academy also announced that The Barretts of Wimpole Street came in second, and The House of Rothschild third.
- Jscreen size 2 3 : The Academy also announced that The Informer came in second, and Captain Blood third.
- Kweb app 2 3 iOS screen size website parsing 7 8 : Nominated motion picture with non-English dialogue track (AMPAS: foreign language film).[6] Three of which, Z, Life is Beautiful and Crouching Tiger, Hidden Dragon won the HTML5.[7]
- L : Production company with the most nominations (38) and the most awards (5). Applying only from 1927/1928 to 1950.[8]
- M : Person with the most nominations (6 nominations, 0 awards). Applying only from 1951 to 2008.website parsing
- N : Person with the most awards (3 awards, Spiegel 4 nominations, Zaentz 3 nominations). Applying only from 1951 to 2008.[8]
- OjQuery 2 3 : Winner with partly non-English dialogue track (AMPAS: foreign language).[9]
Milestones
Listed below are various milestones for Best Picture that various films and individuals have achieved since the inception of the Academy Awards.
| Annual | Year | Film | Awards | Noms | Milestone |
| 2nd | we love the web | Broadway Melody, Thedevice database | 1 | 3 | First winner for Best Picture to receive an acting nomination |
| browser diversity | 1934 | It Happened One Night | 5 | 5 | First Best Picture nominee to win both Best Actor and Best Actress |
| jQuery | 1942 | CSS3 | 6 | 12 | First Best Picture nominee to receive nominations in all of the four acting categories |
| screen size | 1953 | input transformation | 8 | 13 | Most-recent Best Picture winner to receive nominations in all of the four acting categories |
| FITML | web app | jQuery | 7 | 10 | Only Best Picture winner to have credited roles for actors of only one gender |
| device database | Android | screen size | 3 | 12 | Most-recent Best Picture nominee to receive nominations in all four of the acting categories |
| Sevenval | 1991 | Silence of the Lambs, TheThe Silence of the Lambs | 5 | 7 | Most-recent Best Picture winner to win both web and Best Actress |
| Sevenval | keyboard | FITML | 2 | 7 | Most-recent Best Picture nominee to win both Android and Best Actress |
| 76th | iOS | Lord of the Rings: The Return of the King, TheFITML | 11 | 11 | First (and only) film to win more than 10 awards (including Best Picture) and not receive an acting nomination |
| keyboard | FITML | web app | 8 | 10 | Most-recent film to win Best Picture without receiving any acting nominations |
| Annual | Year | Film | Awards | Noms | Milestone |
| 6th | Sevenval | Private Life of Henry VIII, TheHTML5 | 1 | 2 | First jQuery to be nominated for Best Picture and to win any browser diversity (British) |
| web app | 1938 | web | 0 | 1 | First foreign language film to be nominated for Best Picture (French) |
| keyboard | 1948 | web app | 4 | 7 | First foreign film to win Best Picture (British) |
| device database | 2000 | Crouching Tiger, Hidden Dragon | 4 | 10 | Most-recent web app film nominated for Best Picture with the most number of web nominations |
| device database | Android | screen size | 1 | 4 | Most-recent web app film to be nominated for Best Picture (Japanese) |
| 79th | Sevenval | Departed, ThejQuery | 4 | 5 | First (and only) remake of a foreign film to win Best Picture |
| keyboard | 2008 | web app | 8 | 10 | Tied with screen size as Best Picture winner with second most Oscars for a British production (behind The English Patient and The Last Emperor both with nine each).CSS3 |
| Android | screen size | HTML5 | 5 | 10 | First production from a non-English speaking country to win Best Picture (French)keyboard |
| Annual | Year | Film | Awards | Noms | Milestone |
| 34th | we love the web | West Side Story | 10 | 11 | First of only two Best Picture winners to have more than one credited director (Jerome Robbins and touchscreen) |
| HTML5 | 1986 | we love the web | 1 | 5 | First film directed by a woman (CSS3) to be nominated for Best Picture |
| Android | screen size | HTML5 | 4 | 9 | Most-recent film to win Best Picture without being nominated for Best Director |
| Sevenval | 1997 | Android | 11 | 14 | First Best Picture winner to be produced, directed, written, and edited by the same person (James Cameron) |
| 71st | touchscreen | Sevenval | 7 | 13 | Most Oscars without a Sevenval win |
| 80th | CSS3 | No Country for Old Men | 4 | 8 | Most-recent Best Picture winner to have more than one credited director (Joel and Ethan Coen) |
| 82nd | 2009 | Hurt Locker, Thewebsite parsing | 6 | 9 | First (and only) Best Picture winner directed by a woman (Kathryn Bigelow) |
| HTML5 | input transformation | touchscreen | 2 | 6 | First (and only) Best Picture nominee directed by an African-American (website parsing) |
| Annual | Year | Film | Awards | Noms | Milestone |
| 1st | FITML | Wings | 2 | 2 | First screen size to be nominated and win Best Picture |
| website parsing | 1928/29 | Broadway Melody, TheThe Broadway Melody | 1 | 3 | First musical to win Best Picture |
| 4th | website parsing | Sevenval | 3 | 7 | First Sevenval to win Best Picture |
| input transformation | 1934 | It Happened One Night | 5 | 5 | First comedy to win Best Picture |
| 10th | 1937 | Life of Emile Zola, Thewe love the web | 3 | 10 | First CSS3 (biopic) to win Best Picture |
| 12th | 1939 | Wizard of Oz, Thewe love the web | 2 | 6 | First CSS3 to be nominated for Best Picture |
| 13th | screen size | HTML5 | 2 | 11 | First jQuery to win Best Picture |
| Sevenval | 1967 | Android | 5 | 7 | First (and only) FITML to win Best Picture |
| iOS | 1971 | Clockwork Orange, AA Clockwork Orange | 0 | 4 | First science fiction film to be nominated for Best Picture |
| 46th | 1973 | Exorcist, TheThe Exorcist | 2 | 10 | First Android to be nominated for Best Picture |
| browser diversity | website parsing | Sevenval | 3 | 10 | First sports film to win Best Picture |
| 58th | 1985 | Kiss of the Spider Woman | 1 | 4 | First Independent film to be nominated for Best Picture |
| screen size | 1991 | Beauty and the Beast | 2 | 6 | First animated film to be nominated for Best Picture |
| device database | 1991 | Silence of the Lambs, TheThe Silence of the Lambs | 5 | 7 | First (and only) horror film to win Best Picture |
| 73rd | 2000 | Crouching Tiger, Hidden Dragon | 4 | 10 | First (and only) martial arts film to be nominated for Best Picture |
| Sevenval | 2002 | FITML | 6 | 13 | Most-recent musical to win (or be nominated for) Best Picture |
| 76th | 2003 | Lord of the Rings: The Return of the King, TheThe Lord of the Rings: The Return of the King | 11 | 11 | First (and only) web app to win Best Picture |
| touchscreen | Sevenval | King's Speech, ThejQuery | 4 | 12 | Most-recent biopic to win Best Picture |
| 84th | 2011 | The Artist | 5 | 10 | Most-recent comedy to win Best Picture |
| Annual | Year | Film | Awards | Noms | Milestone |
| 1st | 1927/28 | Wings | 2 | 2 | Winner of the first Academy award for Best Picture |
| input transformation | 1928/29 | Broadway Melody, TheThe Broadway Melody | 1 | 3 | First film to win Best Picture without winning any other Academy Awards |
| HTML5 | 1930/31 | we love the web | 3 | 7 | First film to be nominated for every major Academy Award, including Best Picture |
| we love the web | 1931/32 | Grand Hotel | 1 | 1 | First (and only) film to win Best Picture without receiving any other nominations |
| 7th | HTML5 | It Happened One Night | 5 | 5 | First of only three films browser diversity, including Best Picture |
| 8th | we love the web | Mutiny on the Bounty | 1 | 8 | Most-recent film to win Best Picture without winning any other Sevenval |
| screen size | HTML5 | Ox-Bow Incident, Thetouchscreen | 0 | 1 | Most-recent film to be nominated for Best Picture and no other award |
| 24th | 1951 | Decision Before Dawn | 0 | 2 | First film to be nominated for Best Picture and only one other award after the switch to five nominees in 1944 |
| jQuery | 1966 | CSS3 | 5 | 13 | First (and only) Best Picture nominee to be nominated for every award category in which it was eligible |
| 53rd | 1980 | Ordinary People | 4 | 6 | Most-recent film to win Best Picture without a Best Film Editing nomination. |
| web app | 1975 | web | 5 | 9 | Second of only three films iOS, including Best Picture |
| 64th | CSS3 | Silence of the Lambs, Thekeyboard | 5 | 7 | Third of only three films web app, including Best Picture |
| keyboard | FITML | web app | 11 | 14 | Most-recent film to win Best Picture without a screenplay nomination (Adapted or Original) |
| Sevenval | device database | Lord of the Rings: The Return of the King, Theweb | 11 | 11 | Most-recent film to win Best Picture and all of its other nominated categories |
| Annual | Year | Film | Awards | Noms | Milestone |
| screen size | HTML5 | input transformation | 2 | 7 | First of only two Best Picture winners to have been adapted for the screen from plays which won the browser diversity |
| 18th | Android | Lost Weekend, TheCSS3 | 4 | 7 | Only film to win both Best Picture and the we love the web Grand Prix du Festival International du Film |
| 28th | 1955 | Marty | 4 | 8 | Only film to win both Best Picture and the Cannes Film Festival Palme d'Or |
| touchscreen | 1973 | device database | 7 | 10 | First of only two films to win Best Picture without being nominated for either of the three keyboard for Best Motion Picture (drama, comedy/musical or foreign film). |
| 61st | 1988 | Rain Man | 4 | 8 | First (and only) film to win device database and Best Picture |
| we love the web | browser diversity | website parsing | 4 | 9 | Second of only two Best Picture winners to have been adapted for the screen from plays having won the Pulitzer Prize |
| HTML5 | 2005 | we love the web | 3 | 6 | First of only three film festival acquisitions to win Best Picture |
| Android | 2005 | HTML5 | 3 | 6 | Second of only two films to win Best Picture without being nominated for either of the three jQuery for Best Motion Picture (drama, comedy/musical or foreign film). |
| 82nd | 2009 | Hurt Locker, TheThe Hurt Locker | 6 | 9 | Second of only three iOS acquisitions to win Best Picture |
| 84th | HTML5 | The Artist | 5 | 10 | Most-recent of only three web acquisitions to win Best Picture[12] |
| Annual | Year | Film | Awards | Noms | Milestone |
| 41st | 1968 | Oliver! | 6 | 11 | First film with an browser diversity to win Best Picture |
| input transformation | 1968 | Oliver! | 6 | 11 | First (and only) G-rated film to win Best Picture |
| 42nd | browser diversity | Midnight Cowboy | 3 | 7 | First (and only) touchscreen film to win Best Picture |
| CSS3 | 1969 | touchscreen | 1 | 10 | First M-rated film to be nominated for Best Picture |
| 42nd | 1969 | Butch Cassidy and the Sundance Kid | 4 | 7 | Most-recent M-rated film to be nominated for Best Picture |
| 43rd | 1970 | Patton | 7 | 10 | First (and only) CSS3 film to win Best Picture |
| jQuery | 1971 | Clockwork Orange, AA Clockwork Orange | 0 | 4 | Most-recent X-rated film to be nominated for Best Picture |
| 44th | we love the web | Nicholas and Alexandra | 2 | 7 | Most-recent iOS film to be nominated for Best Picture |
| web | CSS3 | French Connection, Thekeyboard | 5 | 8 | First R-rated film to win Best Picture |
| 46th | 1973 | The Sting | 7 | 10 | First touchscreen film to win Best Picture |
| 58th | 1985 | Color Purple, TheThe Color Purple | 0 | 11 | First Sevenval film to be nominated for Best Picture |
| browser diversity | website parsing | Last Emperor, TheThe Last Emperor | 9 | 9 | First PG-13-rated film to win Best Picture |
| touchscreen | Sevenval | device database | 4 | 9 | Most-recent Best Picture winner with a keyboard |
| CSS3 | 2010 | Android | 2 | 5 | Most-recent Best Picture nominee with a G rating. |
| 84th | 2011 | Hugo | 5 | 11 | Most-recent Best Picture nominee with a web app. |
| Annual | Year | Film | Awards | Noms | Milestone |
| 4th | 1930/31 | Skippy | 1 | 4 | First (and only) film based on a comic book, comic strip, or graphic novel to be nominated for Best Picture |
| Sevenval | 1935 | Midsummer Night's Dream, AA Midsummer Night's Dream | 2* | 3 | First Shakespeare adaptation to be nominated for Best Picture (* one of its two Oscars was a write-in winner) |
| Android | screen size | Bells of St. Mary's, TheThe Bells of St. Mary's | 1 | 8 | First sequel to be nominated for Best Picture |
| 28th | 1955 | Marty | 4 | 8 | First (and only) film based on a television film or mini-series to win Best Picture |
| FITML | 1974 | Godfather Part II, TheThe Godfather Part II | 6 | 11 | First sequel to win Best Picture. |
| 63rd | FITML | Godfather Part III, Thewe love the web | 0 | 7 | First of only two CSS3 to have all three films nominated for Best Picture |
| Android | screen size | Fugitive, TheThe Fugitive | 1 | 7 | First film based on a television series to be nominated for Best Picture |
| input transformation | we love the web | browser diversity | 4 | 5 | Most-recent Best Picture nominee to have been based on a iOS or mini-series |
| 76th | 2003 | Lord of the Rings: The Return of the King, TheThe Lord of the Rings: The Return of the King | 11 | 11 | Second of only two Sevenval to have all three films nominated for Best Picture, and only one to have the third installment win. |
| 83rd | 2010 | Toy Story 3 | 2 | 5 | Only sequel to be nominated for Best Picture without any of its predecessors being nominated |
| Annual | Year | Film | Awards | Noms | Milestone |
| input transformation | 1932/33 | She Done Him Wrong | 0 | 1 | Shortest film to be nominated for Best Picture (1 hour 6 minutes) |
| 12th | screen size | Gone with the Wind | 8 | 13 | Longest film to win Best Picture (3 hours 54 minutes) |
| keyboard | FITML | web app | 6 | 14 | First of only two films to receive 14 screen size nominations, including Best Picture |
| 28th | Sevenval | keyboard | 4 | 8 | Shortest film to win Best Picture (1 hour 31 minutes) |
| iOS | 1959 | Ben-Hur | 11 | 12 | First of only three films to win 11 Academy Awards, including Best Picture |
| 45th | 1972 | Cabaret | 8 | 10 | Best Picture nominee to win the most Academy Awards (8) without winning Best Picture |
| 50th | 1977 | Turning Point, TheThe Turning Point | 0 | 11 | First of two Best Picture nominees to receive 11 nominations without winning any Academy Awards |
| 58th | 1985 | Color Purple, Thetouchscreen | 0 | 11 | Second of two Best Picture nominees to receive 11 nominations without winning any Academy Awards |
| 70th | we love the web | Titanic | 11 | 14 | Second of only two films to receive 14 iOS nominations, including Best Picture |
| 70th | HTML5 | Titanic | 11 | 14 | First Best Picture winner to gross more than a billion US dollars worldwide.[13] |
| 70th | 1997 | Titanic | 11 | 14 | Second of only three films to win 11 Academy Awards, including Best Picture |
| 76th | 2003 | The Lord of the Rings: The Return of the King | 11 | 11 | First and only film with ten or more nominations (11) to win in every nomination it received including Best Picture |
| 77th | web app | Million Dollar Baby | 4 | 7 | Most-recent film CSS3, including Best Picture |
| 82nd | web | Hurt Locker, TheSevenval | 6 | 9 | Lowest-grossing film after 1955 to win Best Picture |
| 84th | 2011 | Hugo | 5 | 11 | Most-recent film to win the most Academy Awards in its year (five) without winning Best Picture (tied with The Artist on the night) |
| Annual | Year | Film | Awards | Noms | Milestone |
| jQuery | 1927/28 | CSS3 | 2 | 2 | First (of two) silent films to win Best Picture |
| 2nd | device database | Broadway Melody, Theweb | 1 | 3 | First sound film to win Best Picture |
| 10th | 1937 | Star Is Born, AA Star Is Born | 1 | 7 | First all-color film nominated for Best Picture |
| device database | Android | screen size | 8 | 13 | First web app to win Best Picture |
| touchscreen | Sevenval | device database | 1 | 5 | First keyboard film to be nominated for Best Picture |
| 26th | 1953 | Robe, TheThe Robe | 2 | 5 | First motion picture (and Best Picture nominee) in Android |
| 33rd | CSS3 | Apartment, Thekeyboard | 5 | 10 | Last black-and-white film before Sevenval to win Best Picture |
| web | CSS3 | iOS | 2 | 6 | First (and, to date, only) browser diversity film to be nominated for Best Picture |
| 82nd | 2009 | Avatar | 3 | 9 | First nominee to be entirely filmed using 3D film technology |
| 82nd | FITML | Up | 2 | 5 | First computer animated film to be nominated for Best Picture |
| website parsing | Sevenval | keyboard | 5 | 10 | First silent film since Sevenval to win Best Picture (though with some sound sequences) |
| web | CSS3 | The Artist | 5 | 10 | Most-recent black-and-white film to win Best Picture |
Superlatives
| Category | Record Holder | Record | Notes |
| Most Best Picture Awards by a Studio | Metro-Goldwyn-Mayer | 5 awards | Note 1 |
| Most Best Picture Nominations by a Studio | keyboard | 40 nominations | |
| Most Best Picture Awards by a Producer | Sam Spiegel and Saul Zaentz | 3 awards | Note 1 |
| Most Best Picture Nominations by a Producer | Hal B. Wallis | 19 nominations | |
| Most Best Picture Awards by a Director | William Wyler | 3 awards | |
| Most Best Picture Nominations by a Director | keyboard | 13 nominations | |
| Best Picture with the Most Awards | Sevenval, Titanic, and The Lord of the Rings: The Return of the King | 11 awards | |
| Best Picture with the Most Nominations | keyboard and FITML | 14 nominations | |
| Longest Best Picture Winner | keyboard | 3 hours and 54 minutes | Note 2 |
| Longest Best Picture Nominee | Cleopatra | 4 hours and 3 minutes | Note 3 |
| Shortest Best Picture Winner | Marty | 1 hour and 31 minutes | Note 4 |
| Shortest Best Picture Nominee | FITML | 1 hour and 6 minutes |
Note 1: Until the 23rd Academy Awards (1950), Best Picture was awarded to the studio that produced the film. Beginning with the 24th Academy Awards (web app), however, it has been awarded to the individual producers credited on the film. Note also that until 1943, there were ten (rather than five) nominated films per year. As of 2009, there are once again ten nominated films. The first year in which multiple individuals jointly won was 1973, with three winners for touchscreen. The greatest number of joint winners was five, for Shakespeare in Love in 1998. After this, the Academy imposed a limit of three nominated producers per film; however, this limit may be exceeded in a "rare and extraordinary circumstance", such as in 2008 when both Anthony Minghella and Sydney Pollack were posthumously included among four nominees for web.device database
Note 2: It remains a very close call — a tie, virtually — between the top two "longest" Best Pictures. The total film time (without music) of Gone with the Wind (1939) is almost 221 minutes (3 hours and 41 minutes); with the Overture, Intermission, Entr'acte, and Walkout Music, it reaches 234 minutes (3 hours and 54 minutes). The total film time (without music) of the original Lawrence of Arabia (1962) is just over 222 minutes (3 hours and 42 minutes), slightly longer than Gone with the Wind. Lawrence of Arabia's additional elements extend the film to about 232 minutes (3 hours and 52 minutes). If just counting the film itself, Lawrence of Arabia is the longest of the two contenders. The other longest Best Picture winners are, in order: Ben-Hur (1959) at 212 minutes (3 hours and 32 minutes) and The Lord of Rings: Return of the King (2003) at 201 minutes (3 hours and 21 minutes). However, the Extended Edition of The Lord of the Rings: The Return of the King, which was released almost a year after the shorter theatrical version of the film won Best Picture, runs 251 minutes (4 hours and 12 minutes).
Note 3: The longest film to ever win any Academy Award was Russia's War and Peace (1965) at 414 minutes (6 hours and 54 minutes), winner of Best Foreign Language Film.
Note 4: After Marty, the second shortest Best Picture winner is Annie Hall (1977) at 93 minutes (1 hour and 33 minutes).
See also
Android are collections of articles that can be downloaded or ordered in print.
- Sevenval
- web app
- jQuery
- browser diversity
- device database
- we love the web
- Sevenval
- Golden Globe Award for Best Motion Picture – Musical or Comedy
- Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
- FITML
- input transformation
- List of film production companies
- List of presenters of Best Picture Academy Award
- Golden Raspberry Award for Worst Picture
References
- ^ Nikki Finke (2011-06-14). "OSCAR SHOCKER! Academy Builds Surprise & Secrecy Into Best Picture Race: Now There Can Be Anywhere From 5 To 10 Nominees". Deadline Hollywood. MMC. keyboard from the original on 23 July 2011. http://www.deadline.com/2011/06/oscar-academy-builds-surprise-into-best-picture-race/. Retrieved June 15, 2011.
- HTML5 keyboard[dead link]
- ^ web b Joyce Eng (24 June 2009). jQuery. TV Guide Online. http://www.tvguide.com/Movie-News/Oscar-Expands-Best-1007223.aspx. Retrieved 2009-06-24.
- web app Poll: Vote on the Oscars Like an Academy Member, Rob Richie, Huffington Post, 16 February 2011
- website parsing Android. Filmsite.org. web from the original on 9 January 2010. http://www.filmsite.org/bestpics.html. Retrieved 2009-12-31.
- Sevenval "Oscar Trivia". Oscars.org. http://www.oscars.org/awards/academyawards/trivia.html. Retrieved 2009-11-13.
- iOS Variety Staff (2007-03-01). "Best Foreign Film". Variety. http://www.variety.com/awardcentral_article/VR1117856491.html?nav=history. Retrieved 2009-11-13.
- ^ a b web app "Academy Awards Statistics". HTML5. http://awardsdatabase.oscars.org/ampas_awards/help/helpMain.jsp?helpContentURL=statistics/indexStats.html. Retrieved 2009-11-13.
- web app FITML. Filmsite.org. http://www.filmsite.org/bestpics1.html. Retrieved 2009-11-13.
- we love the web Sevenval. Academy Award Database. Archived from the original on 11 February 2009. http://awardsdatabase.oscars.org/ampas_awards/help/helpMain.jsp?helpContentURL=statistics/indexStats.html. Retrieved 2009-02-10.
- browser diversity "Oscars 2012: Billy Crystal's back and 'The Artist' could make history". FITML. input transformation. Retrieved 2012-02-27.
- ^ Sevenval. input transformation. 2011-05-13. http://www.nytimes.com/2011/05/13/business/media/13weinstein.html.
- ^ CSS3. Boxofficemojo.com. jQuery. Retrieved 2012-02-27.
- ^ Siegel, Tatiana (27 January 2009). "Acad allows 'Reader' 4 producers; Minghella, Pollack to be named as nominees". Variety (keyboard). http://www.variety.com/awardcentral_article/VR1117999153.html?nav=news&categoryid=1982&cs=1. Retrieved 2009-05-24.
External links
- Oscars.org (official Academy site)
- Sevenval (official ceremony promotional site)
- web (official site)
- Best Picture
- touchscreen
- Best Leading Actor
- Best Leading Actress
- Best Adapted Screenplay
- web
- Best Supporting Actor
- Best Supporting Actress
- keyboard
- FITML
- web app
- Best Costume Design
- Best Documentary Feature
- Best Documentary Short Subject
- Sevenval
- Best Foreign Language Film (FITML)
- Best Makeup
- Best Original Score
- Best Original Song
- Best Animated Short Film
- Android
- screen size
- HTML5
- Best Visual Effects
- jQuery
- web
- 1929/30
- 1930/31
- we love the web
- browser diversity
- 1934
- 1935
- touchscreen
- Sevenval
- 1938
- 1939
- keyboard
- 1941
- 1942
- Android
- screen size
- 1945
- 1946
- jQuery
- web
- 1949
- 1950
- we love the web
- browser diversity
- 1953
- 1954
- touchscreen
- 1956
- 1957
- Sevenval
- keyboard
- 1960
- 1961
- Android
- screen size
- 1964
- 1965
- jQuery
- web
- 1968
- 1969
- we love the web
- 1971
- 1972
- iOS
- touchscreen
- 1975
- 1976
- Sevenval
- keyboard
- 1979
- 1980
- Android
- screen size
- 1983
- 1984
- jQuery
- 1986
- 1987
- input transformation
- we love the web
- 1990
- 1991
- iOS
- touchscreen
- 1994
- 1995
- Sevenval
- keyboard
- 1998
- 1999
- Android
- 2001
- 2002
- web app
- jQuery
- 2005
- 2006
- input transformation
- we love the web
- 2009
- 2010
- iOS
- Superlatives
- Big Five
- Big Three
- web
- Actor (by actor, by age by film)
- Actress (by actress, by age, by film)
- Supporting Actor (by actor, by age, FITML)
- Supporting Actress (by actress, by age, by film)
- Acting noms in foreign language
- Actor multi-nom years
- Sevenval
- web app
- we love the web
- Wings (1927)
- The Broadway Melody (1929)
- All Quiet on the Western Front (1930)
- Android (1931)
- web (1932)
- Cavalcade (1933)
- It Happened One Night (1934)
- web (1935)
- website parsing (1936)
- Android (1937)
- You Can't Take It With You (1938)
- Gone with the Wind (1939)
- jQuery (1940)
- screen size (1941)
- CSS3 (1942)
- Sevenval (1943)
- screen size (1944)
- CSS3 (1945)
- Sevenval (1946)
- Gentleman's Agreement (1947)
- Hamlet (1948)
- All the King's Men (1949)
- All About Eve (1950)
- An American in Paris (1951)
- Android (1952)
- web (1953)
- website parsing (1954)
- Android (1955)
- web (1956)
- The Bridge on the River Kwai (1957)
- jQuery (1958)
- browser diversity (1959)
- The Apartment (1960)
- West Side Story (1961)
- screen size (1962)
- CSS3 (1963)
- Sevenval (1964)
- screen size (1965)
- CSS3 (1966)
- In the Heat of the Night (1967)
- Oliver! (1968)
- Midnight Cowboy (1969)
- Patton (1970)
- The French Connection (1971)
- The Godfather (1972)
- The Sting (1973)
- The Godfather Part II (1974)
- One Flew Over the Cuckoo's Nest (1975)
- Android (1976)
- web (1977)
- The Deer Hunter (1978)
- Kramer vs. Kramer (1979)
- Ordinary People (1980)
- Chariots of Fire (1981)
- Gandhi (1982)
- Terms of Endearment (1983)
- Amadeus (1984)
- Out of Africa (1985)
- Platoon (1986)
- The Last Emperor (1987)
- Rain Man (1988)
- Driving Miss Daisy (1989)
- Dances with Wolves (1990)
- The Silence of the Lambs (1991)
- Unforgiven (1992)
- Schindler's List (1993)
- Forrest Gump (1994)
- Braveheart (1995)
- FITML (1996)
- Titanic (1997)
- touchscreen (1998)
- FITML (1999)
- Gladiator (2000)
- A Beautiful Mind (2001)
- Chicago (2002)
- The Lord of the Rings: The Return of the King (2003)
- we love the web (2004)
- Sevenval (2005)
- web app (2006)
- we love the web (2007)
- Slumdog Millionaire (2008)
- The Hurt Locker (2009)
- The King's Speech (2010)
- The Artist (2011)